Tag Archives: wood

The Best Wood For Burning

By Martin Pearson, illo by Nimue Brown

It was another of those bitterly cold November nights on the island of Hopeless, Maine; its only saving grace was that the cruel, blustery wind that had been raging for days was keeping the rain at bay.

The ferocity of the wind had even kept the regular patrons of The Squid and Teapot away from the inn, leaving only those who lived within its walls to enjoy the quiet camaraderie of the snuggery. There, Bartholomew Middlestreet and his wife, Ariadne, sat enjoying some slightly tipsy conversation with Philomena Bucket and Reggie Upton. Drury, the skeletal hound, slumbered contentedly before a flickering log fire that bathed the room in a rich chiaroscuro wash, rendering the little gathering into a study by Caravaggio.

“Dashed weather,” complained Reggie. “Is this blasted wind ever going to stop? I haven’t been out for a stroll for ages.”

“Moan all you will, but it’s an improvement on last November, “said Philomena. “Do you remember, Ariadne?”

The landlord’s wife nodded.

“We had so much rain that it flooded one of the privies at the orphanage, and brought down the wall,” she said. “It couldn’t be mended until the rain stopped. I remember Reverend Davies commenting that it was hard to hold a candle in the cold November rain.”

Philomena scowled.

“The miserable old so-and-so had the gall to blame me for the weather. He said it was divine retribution for bringing Dr Dee to the island.”

Reggie nearly dropped his tankard of Old Colonel.

“So you were responsible for bringing the alchemist, John Dee, here?” he said. “I know that this island is rum beyond words, but how on earth did you…?”

“It’s a long story,” interrupted Philomena. “Remind me to tell you sometime.”

(Author’s note: For those – and there must be many – who have no idea to what Philomena and Ariadne were referring, they could do worse than look at the tale ‘November Rain’, and any one of several tales in which John Dee has featured, beginning with ‘The Visions of Doctor Dee’)

“Well, let’s be thankful that the bad weather is outside, and we are in here, snug and warm,” said Bartholomew. “I think I’ll put another log on the fire.”

“It’s a jolly good blaze,” observed Reggie.

“So it should be; it’s seasoned ash wood, and burns well,” said Bartholomew. “Seth Washwell lets me have all of the ash off-cuts from the sawmill.”

“Oh yes… now you mention it, I remember hearing that some types of wood make better fires than others,” said Reggie.

“Oh yes,” said Bartholomew, “I’ve learned, over the years that you have to be careful what you’re burning.”

“When I was a girl, Granny Bucket taught me a rhyme about the various types of wood, and what they’re good for.” said Philomena, wistfully.

“Do you remember any of it?” asked Ariadne, more out of politeness than anything else.

“As a matter of fact I do,” said Philomena and, assuming that Ariadne’s question meant that everyone was keen to hear the rhyme, cleared her throat, and began:

“Oak logs will warm you well,
If they’re old and dry.
Larch logs of pine will smell,
But the sparks will fly.

Beech logs for Christmas time,
Yew logs heat you well.
‘Scotch’ logs it is a crime,
For anyone to sell.

Birch logs will burn too fast,
Chestnut scarce at all.
Hawthorn logs are good to last,
But cut them in the fall.

Holly logs will burn like wax,
You should burn them green,
Elm logs like smouldering flax,
No flame to be seen.

Pear logs and apple logs,
They will scent your room,
Cherry logs across the dogs,
Smell like flowers in bloom

But ash logs, all smooth and grey,
Burn them green or old;
Buy up all that come your way,
They’re worth their weight in gold.”

“Well remembered m’dear,” said Reggie, applauding. “And dashed useful to know, I shouldn’t wonder.”

“But what’s all that about cherry logs on the dogs,” asked Ariadne. “I don’t think Drury would be too pleased about that.”

“It’s the fire-dogs,” said Bartholomew, pointing to where the logs were blazing in the hearth. “Like those iron brackets supporting the grate; they’ve been sitting there since before my grandfather’s time.

“I notice that your rhyme didn’t mention elder wood,” said Reggie. “I have heard that there are lots of superstitions surrounding it.”

“And well founded, too,” said Bartholomew, settling himself down to tell a tale. “Back in the early 1800s, old Corwen Nailsworthy was the community’s apothecary, vintner, distiller and guardian of a little copse of elder trees that grew on the edge of the common. These trees were the source of many of Corwen’s remedies and were hardy enough to put up with the climate. The blossom alone would provide folks with elderflower wine, cordial, tea and when flour was available, fritters. When the flowers were applied to the skin they could help with joint pain, and elderflower water soothed sore eyes. Of course, the ripe berries could be made into elderberry wine, port and syrup for all to enjoy. In one way or another the elder is the most miraculous of all trees, given what it provides.”

“Then why the poor reputation?” asked Reggie, puzzled

“Well, superstitious folks would say that it’s to do with witches, and suchlike,” replied Bartholomew, giving Philomena an awkward sideways look. “There’s more to it than that, though, as Corwen found out.”

Confident now that he had their full attention, Bartholomew took a swig of ale, wiped his mouth on his sleeve, and began:

“There was a shipwreck one winter, and half-a-dozen sailors survived and made their way ashore. They were ruffians to a man, and took over a deserted cottage near the common. It wasn’t long before they started stealing and bullying without a second thought. Things came to a head when they cut down one of Corwen’s elders to use as firewood. He begged them not to, told them it didn’t burn well and warned that anyone who tried would find themselves cursed. Of course, they laughed at him and said that they would be back the next day for more. As you can imagine, Corwen was terrified; what could he do against men like that? The next day came and went, and they didn’t return. After a week Corwen plucked up the courage to go to their cottage, hoping that they had left. When he arrived there he found that the doors and windows were sealed in ice, and he could just make out, through the glass, six dead bodies sprawled all around, their faces horribly contorted and discoloured. It seemed as though the curse had taken them, after all.”

“There must be an explanation,” said Reggie uncertainly. He had seen enough strange sights in his army career in India and Africa to know that this was not always the case.

“Oh, there is,” said Bartholomew, then paused for dramatic effect.

“Tell us then,” said Philomena, impatiently.

“Cyanide,” said Bartholomew. “When elder burns it gives off cyanide poison. In their sealed up cottage those sailors signed their death warrants as soon as they decided to set the wood alight.”

“I’ll wager that’s caught many a poor peasant out in days gone by,” said Reggie. “All the superstition that grew up around it at least deterred people from burning it.”

  “But don’t write superstitions off,” warned Philomena. “After all, this is Hopeless.”

As she spoke, the ghost of Father Stamage drifted through the room, on his way to meet Lady Margaret D’Avening, the Headless Lady, who haunted the flushing privy.

 The others could only nod in silent agreement.

Author’s note: The full story of Corwen Nailsworthy and his trees can be found in the tale ‘The Elders’.

Mrs Beaten Creates a Stir

By Keith Errington. Mrs Beaten scribble above by Nimue.

Any casual passer-by describing Mrs Beaten is unlikely to reach for the word passionate.

Words such as stubborn, old-fashioned, maybe even mousey, might come to mind, but passion would be furthest from their thoughts. Of course, those first impressions would be formed in the minds of people who do not know Mrs Beaten well – which is to say almost everybody – as Mrs Beaten keeps herself to herself.  

But Mrs Beaten was passionate – she became fired up about manners, decency, cooking, respectability, neatness, deportment, and a whole range of other subjects that I am sure you will find covered elsewhere in those annals of Hopeless, Maine which include Mrs Beaten.

Then again, Mrs Beaten did not believe in unnecessary displays of emotion. And what’s more, she even considered most emotions to be unnecessary. And even though she experienced emotions from time to time, she usually kept any strong feelings bottled up inside herself. (And if we are to be thinking of words, then the word that springs to mind here, is repression.)

This did not mean that she was indecisive or inactive. On the contrary, she believed in taking action to remedy the faults in her world, whether that action be a sarcastic smile, a loud “tut tut” within earshot, or a stern letter to the Vendetta. Yes, Mrs Beaten was always ready to take rapid, affirmative and proportionate action, in an appropriately dignified manner.

Such actions were almost always planned. Often meticulously. For example, she dedicated a significant number of hours to the task of perfecting her sarcastic smile.

Usually this planning took place in Mrs Beaten’s favourite room – the kitchen. The kitchen was Mrs Beaten’s den, her operations room, her lair. It was here that she did her thinking and her planning, her writing and her recipe making, and of course her preparing of ingredients and her cooking. It was an utterly impressive and respectably large room, whose practicality and unique décor would remain completely unknown to the outside world whilst Mrs Beaten was alive. It seemingly contained every culinary implement, every piece of preparation equipment and every cooking method known to the Western world. Or at least every one that turned up on the Island of Hopeless Maine.

But on this particular day, this repository of appliances, devices, gadgets and utensils was found lacking. Something had caused an intense passion to rise up inside Mrs Beaten, like the steam in her old pressure cooker. It was a situation that would only be relieved by taking action.

Mrs Beaten realised that for what she had in mind, she would need something special, something large, something exactly the right shape, something that was…well…unique. Not something you could buy, even in a well-equipped general store. Someone would have to make the item in question, which, unfortunately, and inevitably, meant engaging with a workman about a delicate matter – not a task that Mrs Beaten relished.

— ◊ —

Shaw Dantry was known not only for his proficient carving ability, but also for his magnificent wood. A carpenter with decent wood was hard to find in Hopeless, Maine. If you looked around the island it wasn’t hard to see why. Hopeless trees were all misshapen, short, twisted, and rarely upright. They were generally full of knots, cracks and galls. And if you did manage to find a straight piece of wood, it would most often be riddled with worm, bugs or burrowers – or worse. So the fact that Dantry seemed to have a stock of good, straight, honest wood was a huge boon that stood him in good stead with his steady stream of customers. On top of that, his carving skills were more than adequate and so he found himself fashioning all sorts of items for people throughout the island.

Mrs Beaten knew she needed something large, long, hard and shaped for purpose. Something that would endure and last. So she paid a visit to Shaw Dantry to judge his wood for herself and to see if he could meet her needs.

Mrs Beaten started by insisting that she needed a discrete and private job, emphasising that no-one must know of it and Dantry should ensure that he was not observed at any point during the making of the item.

There then followed a brief period of misunderstanding – as the carpenter had somehow wrongly assumed the nature of the thing Mrs Beaten required. Mrs Beaten couldn’t for the life of her understand why the wretched man was winking and nudging her – what was wrong with him? She almost left at that point, but following some simple clarification, the woodcarver changed his attitude to one of complete professionalism and a price was agreed.

— ◊ —

As we have discussed many times, Hopeless, Maine is a bleak place; a difficult place to live, an easy place in which to die. Thus, its inhabitants often looked for respite of any kind, no matter how brief. This respite took many forms, music, social interaction, reading, entertainment, art and eradicating the thing, or the person, that was causing you the most stress that day. Art was practised by many islanders, and although there was no denying it was art, most of it was not terribly good art. Perhaps it pleased the person that had made it for a while, but it would not be to everyone’s taste, either thematically or technically. Art competitions were often won by works such as the painting that won the most recent event, “Three Blobs on a Muddy Background”, or the interactive sculpture from last year, “Tentacular Eviscerations”.

Occasionally, what was considered “good art” washed up from a shipwreck and was subsequently hung proudly in someone’s house or, as in the case of one particularly fine painting, in the Squid and Teapot. A few months ago, a quite spectacular item landed on the Southern beach – a magnificent sculpture. To be fair, it was mostly magnificent and spectacular in its size and the shockingly white material it had been carved in. It was really just an average copy of a true masterpiece, but even in a humble copy, the essence of the original shone through.

Nobody knows which mad individual actually managed to get the heavy piece off the shore, over the land and into town. But the fact is, somebody did. Its resting place was a small square off the main street which hitherto had been an unremarkable patch of dirt. The sculpture was generally considered a great asset to civic pride, with most feeling that the town had gained a level of civility it had previously lacked. The sculpture was visited and admired often, with even those passing down the adjacent street in a bit of a hurry, stopping to appreciate its fine lines for a few seconds before resuming their hustle.

But of course, art is very subjective. What one viewer appreciates, another may not. And one particular viewer did not approve. Oh no, not at all.

— ◊ —

Shaw Dantry took pride in both his appearance and his work. And although he was fast and efficient, he was also thorough, and made sure that every requirement was met and that every client was completely satisfied. And indeed, Mrs Beaten was very satisfied with the service that Dantry had provided. As she held it in her hands, stroking it gently, she marvelled at its smoothness, its beauty, its length, its girth and its hardness. It had a lovely feel – quite the biggest and best she had ever handled. She paid the man with an uncharacteristic flourish, and eagerly made her way back to her kitchen to make preparations.

At this point, I am sure you are wondering what it was that she had commissioned from the woodcarver. What was the secret item that had invoked such feelings in Mrs Beaten? Well, you could say it was merely a wooden spoon, but that would be like saying the Titanic was just a boat. It was, quite simply, the most enormous wooden spoon you have probably ever seen. The bowl of the spoon was bigger than any fruit bowl, the handle thicker than that of any broom, and its length was as long as you would ever need in a spoon.

Mrs Beaten rested the monstrous spoon against a wall next to the door and began to assemble ingredients. Within half an hour, she had mixed up some sort of concoction, which bizarrely, was of such a small amount that she could store it in the tiniest container she possessed – a smidgeon of a jar that may once have held the smallest portion of fish paste. There was a genuine dichotomy between the enormous spoon and the miniscule jar. Within that jar was something foul-smelling and exceedingly viscous. Mrs Beaten now waited until the small hours of the morning before putting her plan into action.

— ◊ —

The following day, the sculpture in the square had drawn a substantial crowd. Unusually, Mrs Beaten could be observed on the periphery. Anyone who knew her would realise that this was an Event. Mrs Beaten hated people. She could barely tolerate a single encounter, so a mass of humans was simply be abhorrent to her, and yet, here she was. And was that a faint smile of satisfaction on her face?

The sculpture, which we will now formally introduce as a copy of Michelangelo’s David, had a fresh addition. People were pointing and staring at the statue’s abdomen and groin. For there was a new wooden appendage present, where there had been none the previous day. A spoon. Beautifully carved and proportioned, it was fixed upright with the bowl down. The stem was fixed (glued maybe?) to the middle of the tummy, and the bowl of the spoon was precisely placed to hide that part of David that would have left you in no doubt of the subject’s maleness.

Intelligent opinions in the crowd were divided on whether this improved or devalued the sculpture, and indeed, whether it was “ART”. At the other end of the scale, many of the more philistine onlookers thought it was absolutely hilarious and most entertaining.

— ◊ —

The following week, a civic committee met and decided that the spoon should be removed. However, it turned out that the spoon and its glue were no respecter of the committee’s wishes, and try as they might, the spoon was not budging an inch. And so, it was reluctantly judged to be an official piece of Hopeless, Maine art and left alone.

— ◊ —

And so, for a while, Mrs Beaten was content. As far as she was concerned, the matter was dealt with and the pressure inside her had dissipated.

But then… she noticed the new hat that Mr Peremptory was wearing, and she could feel her pulse rising once again…