Tag Archives: raven

The Hermit

By Martin Pearson

It was around 300 BCE, give or take a year or two, that Ptolemy I, and his son, unimaginatively named Ptolemy ll, founded an institution, which they named the Mouseion. This seat of culture and learning, which is said to have housed the legendary Library of Alexandria, was dedicated to the nine daughters of Zeus, known forever as the Muses.  The Mouseion featured a roofed walkway and airy communal areas where scholars and philosophers met to share and debate ideas. As you may know, or have already guessed, it is from these august beginnings that blossomed the modern concept of the museum.

Sad to relate, the Hopeless Museum bears no resemblance whatsoever to its noble ancestor. It is dark, damp and pokey, and the most interesting thing on display is the battered and less-than-hygienic lidded bucket, bequeathed by the island’s first Night-Soil Man, Killigrew O’Stoat. The most interesting things not on display, however, are a cherry-red frock coat and a top hat, belonging to one Tom Long, an early Victorian postman who, for undisclosed reasons, had absconded from Britain many years earlier. Long had left in such a hurry that he was still wearing his uniform when he boarded the ill-fated ship which had floundered upon the rocks around the island of Hopeless, Maine. Old habits die hard, and Tom Long, apparently missing the weight of a pouch hanging from his shoulder, soon made it his business to volunteer for the hazardous, but otherwise undemanding, role of the island’s first postman.

Upon discovering the uniform, folded up in a crate in a dusty corner of the museum, Reggie Upton immediately fell in love with the bright red coat and its shiny brass buttons; it was not military but, for want of anything better, was fondly reminiscent of his army days in India. He at once decided to revive the job of postman, and don the impressive livery at every possible opportunity. This, of course, is old news to those who have read the tale ‘The Postman’, but it is the backstory to how he came to be standing outside a hermit’s mausoleum-like house in Ghastly Green one midnight, clutching a parcel and being croaked at by a raven.

Happily, Reggie was not alone in this venture. His friend, Rhys Cranham was with him (you’ll recall that Reggie was unique, inasmuch as his being able to mix comfortably in the company of the Night-Soil Man, having lost his sense of smell).

““I may be mistaken,” whispered Reggie, “but that croak sounded distinctly like a word.”

“It did,” agreed Rhys.

“And did it say what I thought it said?” 

“I think that it might have,” agreed Rhys.

Reggie looked at the Night-Soil Man uncomfortably,

“Finish the line for me Rhys, or please tell me that I am wrong,” he said.

“Quoth the raven…”

“Nevermore!” exclaimed Rhys.

“No she didn’t”

The voice came from the now open doorway of the house, where a small, balding man stood brandishing a rolling-pin.

“Who are you, and what do you want, turning up here at this time of night?” he demanded.

“I’m the postman,” Reggie called back. “I have a package for someone named Neville. Is that you?”

“Yes,” said the small, balding man. “That’s me. Neville Moore.”

“Ah, so that’s what the raven said,” declared Reggie, enlightenment dawning upon him. “But how is it that she can speak?”

“She’s my pet. I taught her. Her name is Lenore, and for your information, she was calling for me; she was asking to be let in,” said Neville.

 ‘That came out a little icily’, Reggie thought.

“Definitely not ‘nevermore’, then?” he asked, still not convinced.

“Why would she say that? It makes no sense. Are you bringing that parcel over to me, or what?”

“Of course…” said Reggie.

“And if it happens to be both of you that I can smell, stinking like a cesspool, you can take it back,” said Neville, brusquely.

“I’ll leave you to it,” muttered Rhys, a hint of sadness in his voice. “I’ll be back in ten minutes. Neville doesn’t seem over-friendly, so be careful.”

Reggie picked his way over to the strange house, where its equally strange, not to say rude, occupant was still standing in the doorway.

 “Come on in,” he said.

“Thank you,” said Reggie.

“I was talking to Lenore,” snapped Neville, as the raven swept over Reggie’s head, folding its wings to expertly navigate through the open door.

“You’d better come in, too,” he said, grudgingly.

The hermit’s parlour was dimly lit by a few smoky tallow candles. Reggie gazed with interest at Neville’s bookshelf, which groaned beneath the weight of several ancient tomes.

“I see you have a few quaint and curious volumes of forgotten lore here,” he said, examining the titles on the spines of the books.

“Yes, Philomena often sends me various books, and any other bits and pieces that she finds mouldering up in the attics of The Squid and Teapot. Anything that she thinks might be of interest to me, in fact,” said Neville. His tone was markedly friendlier now that he could see that Reggie was, indeed, a genuine and suitably uniformed postman.

“And, I believe, she has sent you some more in here,” said Reggie, placing the parcel on the table.

“She is a kind girl,” said Neville. “I must send her a little something in return.”

While the hermit was fussing through various drawers, looking for a suitable gift for Philomena, Reggie took the opportunity to inspect the room. Long, slightly faded, purple curtains hung at the windows – no doubt salvaged from attics of The Squid, he decided. In the grate a few dying embers cast a sullen glow across the hearth. Quietly, Reggie edged around the room, until he found himself standing next to a narrow door that led to a small, unlit chamber. Suddenly he felt uncomfortable, sensing that he was being watched. Reggie turned his head slowly. Perched upon the marble bust of a Greek goddess, the raven stared malevolently at him, obviously resenting the late visitor who stood by the chamber door.  It was only that, and nothing more.

The awkward silence was at last broken by the hermit.

“Ah here’s something Philomena can have,” he said, holding aloft a delicate silver bracelet.

“It belonged to a lady I once knew,” he explained.

“Really? Is she still on the island?” enquired Reggie.

“Sadly no. She was a rare and radiant maiden who died many years ago. Strangely, the raven arrived not long after her death, and I named her after my lost love. It gives me solace.”

‘That’s not even vaguely unsettling,’ thought Reggie, vainly trying to convince himself.

“I have my memories,” continued the hermit, “and the time has come for her bracelet to grace another’s wrist. It is no use to me.”

“I am sure that Philomena will treasure it,” said Reggie, slipping the bracelet into his coat pocket, and suddenly keen to go outside and find Rhys.

“Forgive me,” he added, before leaving. “But who shall I say that it is from? I’ve quite forgotten your name…”

The hermit opened his mouth to speak, but it was the raven who answered.

“Neville Moore!”

The Raven-Feather Shroud

 

Hopeless has not always been fog-bound and desolate as it is today. Throughout its long history the island has enjoyed occasional but brief interludes of a much more pleasing climate. It was during the most recent of these verdant periods that the Danish settlers arrived.

 

The warriors came here first, in their long, fiercely elegant dragon-boats. They found the island to be a most agreeable place, with green pastures, bubbling streams and a sparse, timid population that was easily subjugated. It took little time for the invaders to realise that this would be a good island upon which to settle. Many were weary of having to fight. Maybe the Allfather would be kind and let them begin a peaceful existence in this new land.

They sent a longboat back with word of their discovery and over the next months and years a steady trickle of Danes found their way here, bringing with them everything that they needed to survive so many miles from home, including slaves from Britain.

 

It was high up in the hills, which are now known as the Gydynaps, that there lived a vǫlva – that is a seeress, a shaman, a wielder of the old magic. She was old and proud, only coming down to the village when summoned by the chieftain. In order to gain her favour and that of the gods, the settlers would ensure that she never went cold or hungry, regularly leaving food, furs and firewood at her door, especially on the occasions of the four great religious festivals, Eostre, Lithasblot, Winternights and Jul.

 

It was on the eve of Lithasblot, or Midsummer, that a slave (who, legend tells us, was one Cadman Negelsleag) was sent with a basket of food and wine to the vǫlva’s house. It was not a particularly arduous task and the day was pleasantly warm. The slave, knowing that his master did not expect him back for some hours, sat down upon a grassy bank and before long drifted into a deep and dreamless sleep.

 

It was a terrible commotion of squawking and croaking that dragged Cadman rudely from his slumbers. While he had been sleeping, two ravens had come down to inspect the contents of the basket and were quarrelling noisily over its ownership. Some of the food had been strewn on the grass and one of the birds was perched precariously on the edge of the basket, intent on removing the remainder. Without a second thought Cadman picked up a stone and threw it at the raven, hitting it squarely on the back of the head. It instantly dropped to the ground in a tangle of blood and feathers.

An awful dread came over Cadman when he realised what he had done. These birds were sacred to Odin and although the one-eyed deity was not his god, he was well aware of the power that Odin exercised in the minds of the Danes. Suddenly the beautiful summer day disappeared. The sky darkened, filled with threatening clouds. A cold wind shook the trees. The songbirds stilled their voices and an icy hand gripped Cadman’s heart.

There, standing on a ridge, was the vǫlva, her long, grey hair and midnight-dark cloak billowing in the freshening wind. In her hand was a long, ash staff, tipped with brass. The vǫlva’s face was a mask of anger.

“Cursed is he who kills the raven, most beloved of the Allfather,” she screamed, pointing her staff at the hapless slave. The staff crackled and sparked, then sent a cold blue bolt of light that froze his body to the core.

The vǫlva’s eyes glittered and it seemed to Cadman that she grew in stature, towering over him, filling the skies. She pointed to the smitten raven, where it lay on the grass.

“You will pluck just one feather from the bird that you have so wantonly slain,” she commanded.

Like a man in a dream the slave removed a feather from the dead raven.

“It will be upon each Lithasblot-eve, for centuries to come, that you will return to this place and pluck one feather from the raven that you will find here. Not until you have enough feathers to fashion yourself a raven-feather shroud in which to wrap your corpse, may you die. And the oldest man of your line who lives when your task is done, then it will become his burden, and so on, until your descendants are wiped from the face of the earth. Until that distant day you will walk in the shadows, hidden from the sight of men.”

Cadman felt himself slipping away, dragged by unseen hands into an eerie half-life, a shadowy, liminal dimension beyond all mortal understanding.

The island seemed to tremble at its very roots as a cold fog rolled in from the sea. Deep in its darkest caverns, nameless creatures began to stir from their long slumbers.

 

This, of course is only a legend. There may be no truth in it at all. But how many feathers does it take to make a shroud? Five hundred? Eight hundred? A thousand? If these events occurred at all then almost nine hundred mid-summer eves have passed since the curse was placed upon Cadman Negelsleag. For centuries his descendants have wondered if the legend has any truth and if it has, when might the shroud be complete and the curse passed on? Two hundred years ago the Negelsleag family, along with others, updated their names to something more pronounceable for the newcomers to the island. A curse, however, cannot be cheated; although names may change, blood remains the same. Our current Night Soil Man, the last of his line, knows that Negelsleag became Nailsworthy. Nine hundred years and nine hundred feathers ago it is said that his ancestor killed a raven. Shenandoah is a frightened man; he  always stays at home on midsummer-eve and wonders if it will be his last in the mortal realm.

I really hope that this is just another tale, just another island myth – but who is to say? After all, anything can happen on Hopeless, Maine.

Art- Tom Brown