Tag Archives: Cliff Cumber

Seth and the Maiden

By Martin Pearson

Selkie
Hopeless, Maine selkie by Cliff Cumber

A few months ago, as you may remember, I wrote of the death of Seth Washpool (related in the tale ‘The Next to Die’).
Seth was a quiet and unassuming man, but that did not prevent Philomena Bucket, the barmaid at The Squid and Teapot, admitting that she frequently called him by the wrong name, mixing him up with the larger-than-life blacksmith, foundry owner and father of seven sons, Seth Washwell, a man whom he resembled in no shape or form.
As far as anyone was aware, Seth Washpool had led a very chaste and uneventful life, but the truth is somewhat different.

Seth had been raised in the Pallid Rock Orphanage, and from an early age wanted nothing more than to be out of it. As far as he was concerned, the years could not pass quickly enough. He regarded the older children with envy, knowing that they would soon be free to live as they chose upon the island.
Throughout his early life his burning ambition had been to become that most revered of figures, a Night-Soil Man. In order to do this he would have to first become an apprentice, but, on the very eve of his leaving the orphanage for the bunkhouse at The House at Poo Corner, his plans changed completely. Like many a young man before and since, the direction of Seth’s life altered when Cupid chose to let fly an arrow in his direction.

There is a tradition in the orphanage that children of unknown parentage are given the surnames of notable islanders. As no one knew who Seth’s parents were, he had been awarded the name Washpool after the legendary Cosimo Washpool, the shipwrecked showman who established a fun fair on The Common. By the time Seth was born, the fun fair was long gone, but its memory, and that of the man who founded it, lived on in tales and legends.
In a similar way, Annabel Selsley, who had been left in a basket on the steps of the orphanage, was named after the brave and pious Sister Mary Selsley. Sister Mary was the nun who had risked life and limb to bring to Hopeless the baby who would one day become the most famous of all Night-Soil Men, Randall Middlestreet.

In the manner of children everywhere, the orphans of Hopeless tend to play happily together for the first nine or ten years of life, until they begin to notice some apparently irreconcilable differences in the interests of the sexes. After a few years of voluntary segregation comes adolescence and all that it conveys, and suddenly some of those previously irreconcilable interests appear to be trivial in the extreme.
This is exactly what happened to Annabel and Seth; they had lived beneath the same roof for fifteen years before they really acknowledged the existence of each other, and then they fell hopelessly in love.

For a year after leaving the orphanage the pair lived  happily together, making a home in an abandoned cottage in Tragedy Creek. They lived simply, even by Hopeless standards, but loved each other deeply, and that seemed to be enough.
Seth would often recite part of a half-remembered poem to Annabel. He had no idea who had written it, but the words seemed to sum up their relationship perfectly.
This is as much as Seth knew of the poem:

‘It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea,
But we loved with a love that was more than love,
I and my Annabel Lee –
With a love that the winged seraphs of Heaven
Coveted her and me.’

It was certainly for the best that he only knew a brief portion of the poem, for neither would have been happy had they been aware of the denouement.

On Annabel’s sixteenth birthday the pair went down to the beach, as they usually did, to search for any useful bits of  flotsam or jetsam that may have been washed up on the tide.
Today there was the usual fare, consisting of bits of rope, driftwood, shells and discarded bottles. Disappointingly, there was nothing of any great value to be had and they made to leave. It was then that they heard a plaintive barking, where group of harbour seals were gathered, just a dozen or so yards from the shore. Seth smiled at the sight, then his smile faded to a look of horror as he watched Annabel wade into the ocean, discarding her clothes as she went.
 “Annabel, come back,” he shouted, pulling off his jacket . “You’ll drown.”
 Annabel turned, seemingly unfazed by the icy water lashing at her naked body. She pointed to the seals and called to him, but her voice was lost on the wind.
Although Seth made a valiant attempt to rescue his love, he was forced back time and time again by  the angry, incoming tide.
 “Annabel!” he cried helplessly, as he watched her disappear beneath the waves.
While he hoped that she would somehow manage to fight her way back to him, in his heart he knew that it was unlikely. If she did not freeze to death or drown, she would doubtless be taken by one of the monsters that lurked around the rocky shores of Hopeless, Maine.
 “Annabel, what madness possessed you to do this?” he sobbed.
 Then something caught his gaze. Emerging from the spot where the girl had disappeared was a young seal. For a few seconds she let her large, dark eyes rest upon Seth, before bobbing through the water towards the small group of seals patiently waiting for her.
It was then that he understood.
There had always been stories told on the island of the seal-people, the selkies, but he had never been inclined to believe in them. It was clear now that Annabel’s people had called her, and the lure of the sea was stronger than her love for Seth.
 “Goodbye, Annabel,” he murmured. “I will always love you. Come back to me one day, if you can.”
 But, despite his going down to the shore every day for the remainder of his life, Seth never saw Annabel again.

Seth was buried in the cold, stony ground of the churchyard. Afterwards, his friends bade him goodbye and retired to The Squid and Teapot to celebrate his life.
No one noticed the woman and her grown-up son who came from the shadows to lay sea-shells upon his grave. Nor did they see them leave, making their way over the rocks before slipping quietly beneath the waves of the dark Atlantic Ocean.

Author’s note:
For anyone not familiar with Edgar Allan Poe’s poem ‘Annabel Lee’, here it is in its entirety:

Annabel Lee

It was many and many a year ago,
 In a kingdom by the sea,
That a maiden there lived whom you may know
 By the name of Annabel Lee;
And this maiden she lived with no other thought
 Than to love and be loved by me.

I was a child and she was a child,
In this kingdom by the sea,
But we loved with a love that was more than love—
I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
Coveted her and me.

And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsmen came
And bore her away from me,
To shut her up in a sepulchre
 In this kingdom by the sea.

The angels, not half so happy in Heaven,
 Went envying her and me—
Yes!—that was the reason (as all men know,
  In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we—
Of many far wiser than we—
And neither the angels in Heaven above
 Nor the demons down under the sea
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling—my darling—my life and my bride,
In her sepulchre there by the sea—
In her tomb by the sounding sea.

Edgar Allan Poe.

Screamers

Screamers are charming little creatures resident on the island. They don’t mean any harm, they just want to get on with their lives.

Their lives involve hanging out in the undergrowth, and killing small prey by first stunning and disorientating them. That’s where the screaming comes in. It’s a terrible noise and will also stun and disorientate humans. It’s just that we are far too big to eat and they don’t tend to hunt in packs.

This screamer is the work of Cliff Cumber.

Screamers are fragile little things, and are easily harmed. It doesn’t take much effort to kill one. This, however, is a singularly bad choice. While the body of the screamer may fly apart, the scream does not. It continues. It may follow you.

This does not entirely answer our frequently asked question of ‘what is screaming all the time?’ Lots of things scream. People especially. Not all screaming can be attributed to screamers be they alive or deceased.

This next screamer is the work of Matilda Patterpaw.

Screamers are one of the few beings that can live inside helltopiary. Apparently the helltopiary has figured out that the consequences of eating screamers are far worse than the consequences of leaving them alone.

Cliff Cumber has drawn his last weapon

By Frampton Jones

Friends, only yesterday we were mourning the demise of Moog Gravett, trampled and eaten by a giant cow. Today, the terrible truth about the cow has come to light, and the terrible consequences continue. I feel partly responsible – I did see the cow from afar and I might have recognised it.

When Cliff Cumber came to the island, we had to take all his pens away. You may remember what happened with the scantily clad women he drew. What it is about his art that caused it to gain partial, misty form and walk amongst us, no one has ever established. What we do know for certain is that if Cliff Cumber draws, the drawing comes to life.

Being a passably sensible chap, he stopped doing this after the third alluring lady was released upon the populous. Or at least, he seemed to have stopped. It may have been a heroic inclination on his part to draw something that would eat the red weed. I feel certain he had no intention of killing Moog. But then, I don’t think he meant to drive Phum Chevin into a fit of psychotic madness with the naked ladies, either. Such is life.

Once formed, Cliff’s previous creatures have remained semi-substantial until they eventually blew away in the mist. The cow, designed to be able to eat red weed, had far more substance. It ate several chickens this morning and threatened a number of people. Being not quite real, the cow was able to harm us, while we could do it no damage at all. Missile weapons passed through it. Panic typical of a Thursday morning on the island was settling in before Cliff turned up at the scene with a massive spear he had drawn. He went into battle, and the fight was furious. The cow is gone, and Cliff did not survive his many injuries.

His art supplies will be buried with him. I am sure nothing could possibly go wrong with this arrangement.

 

You can find one of Cliff’s infamous naked ladies in this Hopeless Vendetta post – https://hopelessvendetta.wordpress.com/2017/08/29/betty-butterow/

 

Last few days of the kickstarter – https://www.kickstarter.com/projects/countrostov/tales-of-hopeless-maine

In which Cliff Cumber is amazing

Hello people! (and others)

It is long past time we dedicated a whole piece to an amazing member of the Hopeless, Maine creative tribe-Cliff Cumber.

We met Cliff on Twitter a while back, and were lucky enough to lure him to the island. He did much of the art for Tales From the Squid and Teapot (some of the very best of it, I would say) He created the art for the Hopeless, Maine tourist bureau (which we still proudly display at events) and then…when we asked him to contribute art to the Hopeless, Maine tabletop RPG- Travels in Hopeless, he bravely stepped forward. Much of the art in the bestiary section is his. (and I got to colour some of it also! ) His Gnii illustration is one of my favourite pieces of HM art at all-ever. Oh! Yes. AND he has a pin up in Sinners! (Two fantastic Sal drawings) Look here, and you will see some selected highlights from his work for Travels in Hopeless.

Mr Cumber was originally from the UK and moved to the US to marry (exact mirror of my own journey) and now does art for comics and several projects for our great friend Professor Elemental!

Go and visit him on twitter and tell him we sent you!

Visiting artists.

Hello people! (and others)

This is going to be a mostly-art Vendetta, and though I have titled it “Visiting artists” they are really both residents. Firstly, you have heard us saying wonderful things about our publisher-Sloth Comics, I assume. (If not, I will just say this is the best company I have worked with in my entire comics career) Well, how many other comics creators get to say that they have a fan art made by their publisher? This is now a thing that we get to say, and to show you. Here is the (utterly adorable) Salamandra-Sloth (she does magic very slowly, I expect) by Nicolas Rossert. He can not really be said to be a visitor only, as we have a long publishing relationship ahead, among many other things.

The second visiting artist who has become a resident is Mr. CliffCumber. He is originally from the UK, now residing in the US. (Just the opposite of me) We found him on Twitter and managed to drag him to the island (I do not specifically recall any kicking or screaming) He is now a regular artist for the Tales from the Squid and Teapot column, and has agreed to do some art for the Hopeless, Maine Tabletop role-playing game also. We consider him to be creative family, and he brings his own vision to the island but shows in every piece that he understands it on a very deep level. Here are two pieces from him. The first is a continuation of the adventures of a certain librarian on the island (We first saw her examining werewolf markings on a vase) The second is Sal (Salamandra) in her(flying) boat. I *may* be going to have to steal that lamp design on the back…

As always, I hope this finds you well, inspired and thriving.