Questions of setting

One of the key questions to ask when making a film, is where you are going to do the filming. We have one camera that isn’t going to be that mobile. At present, we’re crowdfunding the project so it may be fair to assume that our budget is small. That in turn means filming quickly and not using multiple locations.

Happily for us, the early film makers faced similar problems, so their solutions can be our solutions. Many early films were made on sets that were painted and owed far more to theatre than the real world. This of itself creates a dreamlike unreality, very different from conventional modern films and wholly suitable for capturing Hopeless Maine.

With a script in place, we started talking in earnest about how, technically, we might do any of this. The conclusions we came to were that our best bet would be warehouse space. Sets would be painted, dressed, we’d have to figure out workarounds for the sea, because there’s a lot of sea in this story but we don’t want anyone in real water with actual boats. Matt Inkel, our puppet maker alerted us to the fact that he can also do models, so exteriors of buildings will be handled that way. Loretta and I are both comfortable wielding paintbrushes, so we might be doubling up on the painting for skies and backgrounds and whatnot.

There’s a lot to work out. We aren’t at this point a studio, we aren’t used to thinking as a group about what needs to be done. We’re figuring out how to develop ideas collectively, and finding out what broader skills we have that might be relevant. There are two processes going on here – one of sorting out all the technical bits and pieces that need figuring out in order to make a film. The other is a process of figuring ourselves out as a team. Who we are and what we do. Where the spaces are that mean we need to bring other people in to help us. Who those people are. How we work together is an essential part of the process, so the existing relationships we have are key.

And of course as we work together, those relationships grow and change, we find new potential in each other, new relevant skills, and things we might do moving forward. There is a magic to it, definitely.

 

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