Monsters, Matt and Muppets

We met Matt Inkel at Asylum in Lincoln back in 2018. He was sporting a fetching Steampunk Ghostbusters backpack of his own making, and we got chatting about what he does as a maker with his Arcane Armoury hat on. This was just after we’d started looking at old, silent films, so the timing was perfect.

After the event, Tom and Matt continued chatting online. He expressed an interest in making Hopeless Maine stuff and this led us to the Salamandra’s Key project – Matt made a version of the key Salamandra has in The Gathering. You can find out more about that over here – https://hopelessvendetta.wordpress.com/2019/01/04/salamandras-key/

One of his keys ended up in the award winning Case of Good Fortune – and more of that story over here should you feel so moved. https://hopelessvendetta.wordpress.com/2019/07/19/the-case-of-good-fortune/

One of the things Tom and Matt have in common, is a love of Jim Henson. Hence me sneaking muppets into the title! Matt talked about his experience with Jim Henson’s creature workshop and how cool a Hopeless Maine film would be. Tom of course had a series of muppet-moments.

At this stage it was just a bit of shared daydreaming. The kind of conversation where you go ‘wouldn’t it be lovely if…’ But, this is often where serious projects come from – those idle speculations that at first seem too preposterous to take seriously. And so you keep playing with them because it’s just messing about, and before you know it you’ve set your heart on a Hopeless Maine silent film with puppets and live action.

And so it was that Matt Inkel joined the film project before there even was a film project. He will be making puppets of some of the island creatures, and of course the sea monster whose fight with The Blind Fisherman is a key part of this little story.

You can find Matt Inkel’s Arcane Armoury on Etsy – https://www.etsy.com/uk/shop/ArcaneArmoury

Mister Adams probably died last year

How long Mister Adams has been dead, no one is entirely sure. His haunted house attraction was without a doubt the least popular commercial enterprise the island has ever seen, and as no one visited it for months, his body has remained there, unremarked for an embarrassingly long period of time.

I don’t think any of us truly understood why Mister Adams felt the need to build a haunted house attraction. It’s not like we’re short of actual haunted houses. He put a startling amount of work into creating from scratch the kind of creepy, mouldering environment that occurs naturally all over the island.

The only known visitor to the Haunted House was Weevil Chevin, who said “It was great, it was just like my old gran’s house before she went mad and burned it down.”

It was Weevil who found the body, having gone back for a second visit. He thoughtfully removed Mister Adams from the property and summoned Doc Willoughby, who is quoted as saying, “I don’t know why you bothered, you don’t need a trained professional to see that this man has been dead for quite some time.”

Weevil told me that what impressed him most on his second visit, was how the bloody handprints on the wall still looked fresh and were damp to the touch. “Tasted like blood and all. Dead impressive.”

 

(This death is a nod to the work the real life Mister Adams did for the This House is Not Haunted video, and is a belated addition to last year’s obituaries. We’re sorry it took so long to find his body!)

Cat, Greta and Hopeless

What prompted us to think that making a Hopeless Maine black and white filmA Hopeless Film was a good idea? Let me tell you a story…

It started at Pagan Pride in Nottingham, in the summer of 2018. We stayed with Cat Treadwell, which was a wonderful thing to get to do. She was having a bit of a clear out, and we came home with a box set of Greta Garbo DVDs.

My maternal grandmother was a great fan of Greta Garbo, so this had pushed some nostalgia buttons for me. Garbo was one of the few actors to make the transition from silent films to talkies, and some of the films in the box set were silent.

Watching these films together, Tom and I were struck by the technical similarities between comics and silent films. There’s less space for text in a silent film, making the interplay between what’s done as an image and what is words closer to comics than to modern film, I reckon. Facial expressions are super-important in both forms, and often more stylised than naturalistic.

We spent a lot of time talking about all of this, initially just because it interested both of us. We were wondering what we could learn from silent films that would help us as comics creators. Somewhere in those conversations, Tom said something to the effect that he thought The Blind Fisherman would make an excellent black and white silent movie in the style of these period pieces. I agreed, and at the time that seemed to be the whole of it.

But of course it wasn’t.

So we feel it is entirely reasonable to hold Cat Treadwell responsible for being the catalyst that started this whole idea. You can find Cat’s Hopeless Maine story here – https://hopelessvendetta.wordpress.com/2018/06/22/threads/

And find Cat here – https://druidcat.wordpress.com/

 

Hopeless Lonely Hearts

With Valentine’s Day safely behind us, it is time for those less fortunate in love to creep out of the shadows, at least for long enough to wave a hopeful tentacle. We’ve had some great submissions, names of the wonderful, infamous people who sent each contribution are in brackets – if you don’t know them, look them up!

 

If you’d like an option on responding to future things of this ilk, follow us on facebook or twitter.

 

And now, without further ado, onto the latest from the Hopeless Maine Lonely Hearts column….

Travel writer/warlock seeks companion for walks on beach, reading sessions and constant reassurance that the little green abomination with a lisp sitting on her shoulder is real and she’s not going insane oh gods why won’t it go away why why. Non smoker preferred.

(Francesca Dare)

 

Lonely mortician seeks introvert for quiet nights in, surgical practice and possibly more. GSOH and own surgical kit a must!

(Charles Cutting)

 

Melancholic poet seeks occult practitioner for stargazing and beachcombing. Romantic aspirations and love of dustcats a must.

(Craig Hallam)

 

Priestess seeks Worshippers. Bring appropriate offerings to the waterfront at the rise of the Full Moon. Next of Kin details required.

(Cat Treadwell)

 

Man, 45 GSOH seeks woman/man/cyborg for long walks in the attic, light animal experimentation and occasional explosions. LIKES: orang-utans, tannin, occasional explosions. DISLIKES: Coffee, men with banjos and/or moustaches.

(Professor Elemental)

 

Indian exch. witch offers Walpurgisnacht carpet pool York – Harz Mountains. Imperial Persian carpet, 12 places. Departs: York Minster Central Tower 28/04. 1st come, 1st serve. Contact Aaliyah Baba, scry/orb, open astral channel btw 12.00-01.00. Fee: Soul Secrets, Lover’s Vows.

(Suna Dasi)

 

Mild mannered maniac seeking companionship, 1969 vintage, original body (with modifications), full service history, test drive advised. NO TIRE KICKERS. The ideal candidate would need large bumpers or airbags, and go from 0-60 in less than 8 seconds.

(Ian Crichton)

 

Perfectly Normal But Lonely Single F, 40 y.o but with the body of 18 y.o.[stored safely in the freezer], own transport, seeks like-minded individual for good times, long book shop visits and romantic Staring Into The Void. Living preferred but vital status negotiable for right person. Must look good in riding boots and share sense of pedantry. No slime wasters.

(JJ Bannister)

 

Mature gentleman with GSOH and both original hips seeks very patient companion for experiments in unwearable clothing. Human preferred but some exotic ancestry not necessarily a problem. Must be warm blooded and breath air. No fish.

(Nimrod)

The Blind Fisherman

The Blind Fisherman is a sequence of illustrations and poems that you can currently find at the front of Hopeless Maine, The Gathering.

Before we get any further, I’d like to mention that the fisherman in question matches the legal definition of ‘blind’ in that he has significant sight impairment, not total blindness. This is most usually the way of it. Some of the things he does in the sequence have a magical component to them which is why he binds his eyes – it’s just better not to be distracted by looking.

This sequence began life the autumn we launched Hopeless Maine as a webcomic (back when we were itisacircle.com). We’d started this Hopeless Vendetta site already while we were waiting for technical stuff on the webcomic. Tom wanted to launch with something a bit special, and also he is slightly masochistic, so he did this series of images telling a story. At the last minute he realised he wanted an extra image and sat up all night just before the webcomic launch! Not something I can recommend, but we weren’t living together then so getting him to go to bed was a good deal more difficult.

The words followed the images. I was painfully inexperienced around comics at this point, and working with a forgiving webcomic format, not the harsh realities of the printed page. If I was doing it now, I would be thinking from the start about how the words might fit and be big enough that a middle aged person like myself might be able to read them! One of the pieces in the set pre-dates the art, and was written as a song in my late teens. It was such an uncanny match that I felt I’d been moving this way all along.

The Blind Fisherman wasn’t in the Archaia editions, but Nick at Sloth was happy to give it a home when Personal Demons and Inheritance combined to be a single volume. It also meant we had something extra in there, which felt good. So at that point, that we had got an eccentric combination of art and words into the front of a fat comic was the extent of our aspirations.

Tune in next week for another instalment as I try and explain the curious journey of going from this initial body of work, to making a film.

The Little Drummer Boy

As has been noted before in these tales, the good folk of Hopeless, Maine, are not renowned for their love of walking. This, in many ways, is understandable. The island is a veritable smorgasbord of hazards, natural, supernatural and downright unnatural. The business of staying alive is tricky enough, without wandering around and taking unnecessary risks and – some would maintain –  unnecessary exercise. Philomena Bucket, however, was the exception to the rule. She loved to walk, especially in the early hours, with Drury, the skeletal hound, more often than not jogging happily along by her side. Despite appearances, Drury was not Philomena’s dog. He had been on the island for as long as anyone could remember and had but one objective in life (or death, depending on your point of view) and that was the pursuit of fun. At that moment, he considered Philomena to be the human most likely to provide the wherewithal to achieve this.

Our tale begins one grey, late summer morning. Summer mornings on Hopeless, it must be admitted, are very much like the mornings of any other season, except that it tends to get light earlier. So, it was almost 6a.m. when the sun finally managed to persuade the fog to let it through, the signal for Philomena to set off for her daily constitutional.

Philomena liked to vary the route she took for her walk. Some days she would wander up into the Gydynap Hills. On others, she might choose to stride out along the headland towards Chapel Rock, or maybe to the secluded part of the island which at that time was unnamed but known in later years as Scilly Point. Today, however, Philomena was feeling bold and decided to walk a particularly  long strip of narrow beach, only accessible at low tide. This was hazardous for a number of reasons. Besides the slimy, many-eyed and tentacled rock dwellers, whom Philomena felt could be avoided with Drury’s help, was the danger posed by ocean itself. While, even at low tide, these waters could be capricious, more worrying still were its denizens. Chief among these was the mighty Kraken, with suckered arms long enough to reach across the waves and drag the unwary into a watery grave. (Some say that the Kraken is as old as the ocean itself. Personally, I cannot believe this, but it is certainly ancient and quite pitiless).

Call Philomena brave, or merely foolhardy, but oblivious to any danger, she resolutely set off along the beach with Drury scampering happily along beside her. Within minutes an obfuscating sea-fog began to roll in, even more relentless than usual, until nothing was discernible beyond more than a dozen feet. Most people might have given up at this point but Philomena was nothing if not stubborn. Even Drury was slightly hesitant to proceed but emboldened by his companion’s determination, soldiered on with a spring (and a rattle) in his step.

Philomena was not able to say how far or for how long she had been walking. Fog tends to do that to the senses. Time and space can become meaningless in that grey cocoon and it is not unusual for one to easily lapse into an almost trance-like state. This was exactly where Philomena’s mind was hovering when she was pulled back to reality. There was a muffled drum-beat coming from somewhere in front of her, further down the beach. She stopped, wondering who, or what, might be making such a noise at this hour of the day. Then, to her surprise, she found herself suddenly confronted by the figure of a child, a boy with a drum marching through the mists.

“Are you lost, young fella,” she asked as he drew closer.

The boy looked at her with large, soulful eyes but said nothing, not missing a beat as he passed her by. He could not have been any more than twelve years old, Philomena reckoned.

“He’s too young to be out alone on such a dangerous spot,” she said to herself, seemingly unaware of her own vulnerability.

“I can’t leave him.”

She turned to Drury.

“Come on Dru’, we’ve got to catch him up, before he gets into real trouble.”

She turned back, following the steady beat of the drum but her eyes were unable to penetrate the fog and see the drummer.

“Hey, slow down, we’ll walk with you,” she called but to no avail. All she could do was follow the rhythmic rat-a-tat-tat of the drum and hope the lad stayed safe.

The tide began to come in, forcing Philomena and Drury to scramble to safety. There was no sound of a drum anymore, just the crash of the waves on the rocks.

“I’d best go to the orphanage, the lad will be one of theirs, I guess.” She had aimed the comment at Drury; by now, however, the dog had lost all interest in the walk and was attempting to extricate a diminutive but somewhat irate gelatinous creature from a crevice in the wall.

 

The office was small and badly lit.  Miss Calder chose to remain standing while Philomena told of her encounter with the drummer boy.

“No, he’s not resident in the orphanage,” Miss Calder said sadly. “Although, I wish he was.”

Philomena rubbed her eyes. The fog must have really upset them for the woman in front of her seemed to waver slightly as she spoke. Once or twice – and this must be a trick of the candlelight, Philomena thought – half of her face even appeared to be little more than a skull.

“I think you were in great danger, Philomena,” Miss Calder said gently. “The Drummer Boy is known to me; a ghost who came to save you. Three fishermen were taken this morning, from just up the beach where you were walking.”

Philomena raised a quizzical eyebrow.

“Ghost? But it was broad daylight… well, except for the fog…”

Miss Calder smiled mischievously.

“Ghosts are all around, Philomena. They don’t need darkness. The very need to manifest is enough.”

Philomena shifted uncomfortably in her chair.

“Long ago,” said Miss Calder, “a convict ship left England, bound for Virginia. A terrible storm blew it hundreds of miles off-course and few survived. Those who did settled on Hopeless but not all who made landfall lived to tell the tale. The boy you saw was part of the detachment of marines guarding the convicts – the drummer boy who used his drum to call the marines to quarters, an important role. I don’t know how, exactly, he met his fate, but the story is that, when they landed on Hopeless, he beat his drum to warn the others of a terrible danger – a danger that he did not survive. He has been seen a few times, over the years and generally thought to save only the good and innocent, like himself. You have been fortunate, Philomena.”

Philomena reddened and lowered her eyes. After the briefest moment she looked up to reply but Miss Calder had vanished.

Upon arrival in Hopeless

From

The ongoing works of Algernon Lear

(and Pulvis)

(Really Craig Hallam)

 

Upon arrival in Hopeless

 

A veil of mist covers the screaming shore,

smoke pouring into a drowning maw.

A sea of green glass

laced with antique foam

rattles the bones of the beach.

 

The sea tastes the shore and the beach bites back,

splintering hulls and breaking backs.

Hopeless’ dark beauty

looms like a threat,

and a dream sweat prickles the skin.

 

Crawling from the surf to clandestine shore,

paying forth the brine from our lungs,

the island gifts rotten breath,

we arrive in debt

to a ledger writ in abyssal hand.

 

A Hopeless Film

Readers, we have a delectably crazy project on the go and have got to the point where it feels like talking about it may not jinx it!

We’re going to make a Hopeless Maine film.

At time of writing this is a project with no funding. It does however have a script, and most of the team in place to make it happen. We have some ideas about funding. However, if you have a magic money tree and were wondering how best to deploy it, we’re here to help you!

From here on in, I’m going to be blogging regularly about how this all goes. There’s quite a lot of backstory to tell, so I’ll be working my way from the beginnings of this idea forward. It’s not been a smooth path at this point, and all things considered, it’s not likely to be smooth in the future either.

While all of the team members are experienced professionals, only some of us are experienced professionals when it comes to film making. Tom and I are the least experienced in all of this. There is a great deal to come where we’ll be depending on the knowledge, skills and cunning of the rest of the team. Beautiful people that they are, they have enough faith in us and enough enthusiasm for Hopeless Maine to give this a go. I’ll be talking more about who does what as we go along – my fondness for telling a story means I want to introduce the key characters as they enter the plot. That said, if anyone wants to ‘out’ themselves that’s fine by me!

So, if that wasn’t quite bonkers enough, here’s what we’re planning. We want to make a silent movie, on a period camera, with a soundtrack. There will be puppets and actors. It will be based on The Blind Fisherman (the series of poems and images at the start of The Gathering). If you’ve read The Blind Fisherman, you will know that it doesn’t really suggest a smooth translation into film, which is part of the fun of it. We don’t want to make a film version of something we’ve already done in the comics. We want to go somewhere new.

Thank you for joining us on our latest madcap adventure, and watch this space for the story as it unfolds…

Not Quite A Dog

By Detective Deirdre Dalloway

What he got was not quite a dog. It was just a sort of dog. The sort-of-dog certainly acted like a dog, alternately running around in circles chasing its own sort-of-tail and wriggling around on its sort-of-back with its sort-of-paws flapping joyfully. But it was a sight that made Michael Dalloway smile and shudder at the same time. Because the dog was composed entirely of bones.

Suddenly aware of his presence, in spite of its lack of nose, eyes and ears, the sort-of-dog bounded up to him and within seconds Michael Dalloway’s fears were gone and he was sharing his trek with a bouncing, bounding companion. Along the top of the cliffs they went, and the dog set quite a pace. It was as though it had a purpose. Yes, it definitely seemed to have a purpose, and before long Michael Dalloway realised that in following the skeleton dog, he was getting further and further from the lighthouse. He was being guided by a dead animal away from the only sign of human life that he could discern.

And yet the dog was clearly not dead, in the conventional understanding of the word. It had no eyes, nose or ears but this did not hamper it. It had no tongue either, but if Michael Dalloway slowed down for a rest from the load he was carrying, it would seem to lick his hand to encourage him onwards. And when he had lightened his load by drinking tea and eating most of the biscuits, the sort-of-dog had sat and begged like any other dog to be fed. That the biscuits fell straight through onto the wet peat did not seem to bother it at all.

Yes, the dog was sort-of-alive, so Michael Dalloway decided to take a chance on it, and sure enough, just as the drenched, rain-blinded and exhausted traveller was wondering about regretting his decision, they cleared a small copse of dead trees and a dimly lit settlement came into view. Both of them now bounded through the spikey gorse towards it, the dog still leading the way through the darkness, now past simple, mainly unlit dwellings, to a rather more welcoming looking inn. Scratchy recorded music was audible through a broken window. The dog threw itself at the door to make its presence known and it was opened from inside by a man in an apron.

“Drury!”, he exclaimed, “There you are! Everyone, look! Drury’s back! We put your favourite tune on, old boy, to encourage you to come in from the rain”. The man stooped to tickle the dog’s skeletal jaw. “And you’ve brought someone with you. Do excuse my manners, Sir. I’m  Rufus Lypiatt, the landlord of the Squid and Teapot, and this is my pub. We welcome all unhappy travellers. I take it that you are one of those? Do come on in. We were just about to play ‘Molly Malone’ on the gramophone again.”

Find out more about Detective Dalloway here – http://detectivedalloway.com/ 

Nightshade

By Craig Hallam

 

 

 

Nightshade

 

Pale ankles buried in the brine,

the sand washing against your roots,

you were timeless there,

the hem of your skirts

floating on the ebb tide.

O, let me never see the ocean again

if it does not caress your sweet self.

 

The wind gave birth to the sea breeze

that it might play in gentle fronds

loosed from your tress.

The scent of wood smoked fish

comes on the wind.

O, let me never breathe again

if your scent is not in the air.

 

With dulcet command the horizon obeys,

the midnight ocean bows.

Blade summons your rich blood,

and shocked arousal

from this onlooking thrall.

O, Nightshade, strike me down.

This life is lived at your behest.

News for the residents of Hopeless, Maine