Old Magic

You will recall that a Beltane Extravaganza had been held in honour of Doctor John Dee, the sixteenth-century alchemist who had been plucked from his own time and deposited on to the island of Hopeless, Maine. When the final song was sung, and the event had drawn to its conclusion, Philomena Bucket was alone in the Town Hall, tidying away the venerable Edison-Bell phonograph, when suddenly she found herself confronted by Durosimi O’Stoat.

O’Stoat was convinced – quite incorrectly, as it happens – that John Dee was a mighty sorcerer. With this in mind, he had been pressurising the alchemist to find a way in which they could both be returned to Tudor England, where he could plunder Dee’s famously extensive library and learn more of his secrets. When Dee protested that such a feat would be beyond his abilities, Durosimi disbelieved him and decided to force his hand by kidnapping Philomena Bucket. Durosimi had jumped to the conclusion that Dee’s obvious fondness for the barmaid was based upon no more than old-fashioned lust. The truth was far different; from their very first meeting, John Dee was sure that Philomena possessed magical abilities, the like of which he had never before seen.

“A word, Miss Bucket, if I might,” said Durosimi, in a commanding voice.

Philomena felt a cold chill run down her back. The only member of the O’Stoat family that she had ever liked, or trusted, was Salamandra.

“I’m listening,” she replied, coldly, hoping that he could not hear the tremble in her voice.

“You must come with me… now, please.” Durosimi motioned towards the door.

“No thank you, Mr O’Stoat. I have other plans for tonight.”

“But I insist. You will come with me. One way, or another, Miss Bucket, I promise you will.”

Philomena stood her ground, wishing that Drury would burst through the door. She knew, however, that he would be on the far side of the island by now, accompanying the Night-Soil Man, as he did most nights.

Durosimi stepped menacingly towards Philomena, then made a sudden lurch, with the obvious intention of abducting her.

She extended a hand to defend herself, and to the surprise of both, Durosimi was hurled back, as if struck by lightning. From his position on the floor, he looked at her with amazement. He pulled himself up, and stood unsteadily for a few moments.

“I don’t know what you just did, or how you did it, but I’m damned if that is going to stop me…”

He made another lunge, thinking to take her by surprise, but again, Philomena raised her hands in defence, and once more he was thrown backwards, only this time more violently. Philomena stared in disbelief at the figure sprawled apparently unconscious on the floor, fully ten feet away from her; then she raised her eyes towards the shadows at the far end of the room. A grey mist had gathered, and within it there were figures; lots of figures, some more distinct than others. Those whom she could see clearly were definitely women. She could have sworn that one was Granny Bucket, but who were the others?

“This is your heritage, Philomena,” said a voice in her head. It unmistakably belonged to Granny.

The grey mass drifted slowly forward, a swirling mist that flowed over Durosimi’s supine form, as if he did not exist. As the mist drew closer, there appeared to be hundreds of wraiths moving within it, and steadily converging upon her. While some of the company appeared to be of flesh and blood, others were vague shadows, no more solid than the mist that shrouded them. Very much to her own surprise, Philomena was not afraid.

As the ghostly tide engulfed her, some instinct told Philomena that these phantom women were her ancestors, and each one granted the gift, or maybe the curse, of magic. They swarmed around her and their voices echoed in her mind, relating their stories, and telling how the gift would sometimes desert the family for generations, before bursting through once more, when the greatest need arose, like poppy seeds that waited for the harrow in order to flourish. This is how things had been for hundreds, possibly thousands, of years, and each wraith had been a wise-woman, a witch, a sorceress, or a seer.   

Granny Bucket shimmered before Philomena, and smiled.

“You, my girl, are the distillation of us all. You have great power… but be careful. ‘The Sight’ was no more than a plaything, the first stirrings of the true magic that is just awakening with you. You need to control it, or it will control you. And Philomena…”

“Yes Granny?” Philomena replied, although she was by no means sure if the words issued from her mouth or her mind.

“We are all Bucket Women, a chain of enchantment stretched for more years than you can comprehend. If you choose to remain childless, you are its last, and strongest, link. This is a decision that you alone can make. Think on it Philomena. Think on it.”

As she said these last words, the mist dispersed and Philomena found herself alone in the Town Hall. Durosimi was gone and the first rays of a pale, Hopeless dawn were struggling to make their presence known through the grimy window panes. She had been here for hours! Had she fallen asleep and it had all been a dream?

A familiar bark broke the silence of the morning and Drury came loping in, his bony tail wagging and obviously happy to see her. Rhys Cranham, the Night Soil Man had just finished his rounds, and was peering through the doorway. As always, Rhys was uncomfortably aware of the all-pervading stench which accompanied him, and was maintaining a respectful distance.

“What the devil are you doing here at this hour, Philomena?” he asked.

“I really have no idea,” she replied. “I think I must have dropped off to sleep after everyone left last night. It’s a pity you weren’t there. It was a grand night, so it was.”

“I wish I could have been,” Rhys replied sadly, “But… well, you know…”

Philomena did, indeed, know. Much as the Night-Soil Man was liked and respected all over the island, his calling made him something of a pariah, for no one could bear to be within yards of his stench. When she first arrived on Hopeless, Philomena had fallen in love with Rhys, after he had virtually saved her life. At the time she had lost all sense of smell, having been subject to an attack of anosmia, as Doc Willoughby had importantly informed her. It was only after she had almost drowned in sea-water, and her nasal-passages flushed clean, that she realised that their love could never be.

“Well, I’m to my bed,” said Rhys, keen to change the subject. “Will there be any left-over Starry-Grabby pie going spare later, by any chance?”

“I daresay there might be,” laughed Philomena, teasingly. “And, who knows, maybe even the odd bottle of Old Colonel. I’ll leave something by your door, don’t fret.”

Rhys grinned, and with a “Bye, then,” waved, and turned to leave. Philomena watched him through the open doorway, as he tramped down the cobbled street, with Drury scampering noisily at his heels.

“Goodbye, my lost love,” she thought to herself, sadly, with Granny’s final words echoing in her mind.

Hopeless Tarot

We’ve had early sightings of Hopeless Tarot recently as sets from the kickstarter move out into the world. Thanks to Bob Fry for sharing photos with us.

Art on the cards is a mix of existing Hopeless material, plus new pieces especially for the set. The tarot part of the project is entirely down to Laura Perry –who approached us a while ago to suggest the idea. Laura had already done a really interesting Minoan Tarot set which you can find over here – https://www.minoantarot.com/

Our suits are crows, tentacles, flames and night potatoes!

You can order sets directly from Outland https://outlandentertainment.com/work/hopeless-maine-tarot

Aces from the tarot deck

A Beltane Extravaganza

Readers of these tales, and indeed, any article found in ‘The Vendetta’, would quite rightly come to the conclusion that Hopeless is a somewhat dismal and deprived sort of place, subject to all manner of horrors and privations. Having said this, it ought not to be forgotten that when you or I make such judgements, we do so through the lens of our current era, with its relative comforts and sophistication. For Doctor John Dee, however, the sixteenth-century alchemist recently deposited on the island, Hopeless, Maine revealed itself to be a land of comparative freedom and great wonders.

Although having lived a life of privilege as the Court Astronomer to Queen Elizabeth, John Dee walked as much in terror of torture and an agonising death as anyone else in Tudor England; maybe more so, as his interest in the occult was well known. He had narrowly avoided the flames when accused of heresy in the reign of Queen Mary, Elizabeth’s predecessor. So, while Hopeless can be inhospitable, nightmarish and terribly dangerous, the chances of being persecuted by someone for entertaining beliefs contrary to their own, are extremely remote. Well… on reflection, a bit remote, at least.

It was generally agreed that Doctor Dee’s stay on the island was probably going to come to an abrupt end at any moment, for although it was likely that he would be returned to his own era within minutes of his having left, history was not going to sit around forever twiddling its thumbs while Dee took an extended vacation in the future. Perusal of some dusty encyclopaedias, found in one of the attics of The Squid and Teapot, had made it fairly clear that the old alchemist had a lot of things still to accomplish in his remaining years (not that anyone told him this. He would be far too interested in wanting to know what the future held, and not all of it was particularly pleasant).  It was decided, therefore, to organise a festival, of sorts, as a send-off; something special to for the doctor to remember after he had returned home.  Inevitably, the task of putting together such a programme of events fell upon Philomena Bucket, aided, abetted and generally hindered by her faithful friend Drury, the Osseous Hound.

While Hopeless is not rich in resources, the islanders take full advantage of any bounty that the ocean might provide. Nothing goes to waste, and whatever is not immediately required often ends up being stored in The Squid and Teapot. The most prized of these items, to be produced only on the most prestigious of occasions, is the much-cherished Edison-Bell phonograph, and its attendant collection of wax cylinders. This entertaining piece of technology was, Philomena decided, to be the centre-piece of the festival, bringing with it the possibility of dance, song and no small amount of debauchery, if past experience was anything to go by. As the abysmal Hopeless winter had already shuffled itself seamlessly into a similarly abysmal Hopeless spring, and the month of May was looming, she decided to call the event ‘The Beltane Extravaganza’, which, she hoped, would appeal to Doctor Dee’s heretical nature.

At last the great day arrived and, thanks to Philomena’s efforts, everything was ready. The Town Hall was decorated, every spare chair on the island was commandeered, barrels of ‘Old Colonel’ and ‘Gannicox Spirit’ had been rolled into place and a variety of tables, while not actually groaning, complained quietly beneath platters piled high with steaming slices of Starry-Grabby pie. On walls and in alcoves tallow candles and oil-lanterns twinkled; for a few hours, the island of Hopeless, Maine seemed to shrug off its aura of gloom.

Norbert Gannicox, as Master of Ceremonies, introduced the various performers, starting with the Pallid Orphanage choir, who sang an Elizabethan madrigal, especially learned for the occasion. This was sung under the direction of the usually unflappable wraith, Miss Calder, who almost ruined the evening before it began, by inadvertently allowing her face to lapse into its skull-like aspect every time one of the children hit a bum-note. Act after act followed, some using music provided by the phonograph to back their efforts at singing or dancing. People tended to do their party-pieces; Seth Washpool sang a medley of Hopeless sea-shanties, accompanying himself on the spoons and Bartholomew and Ariadne Middlestreet sang ‘Barnacle Bill the Sailor.’

When ‘Les Demoiselles de Hopeless, Maine’ burst on to the stage Doctor Dee almost dropped his tankard of Old Colonel. The phonograph blasted out Offenbach’s ‘Infernal Gallop’ (more often known as ‘The Can-Can’ to most of us) and the five French girls, shipwrecked on the island just a few months earlier, went into their routine with unquenchable enthusiasm. Dee watched goggle-eyed and amazed as they high-kicked, whooped and wiggled their frilly-drawered derrieres in time to the music, much to the delight of the audience. The world that he knew had seen nothing like this, and would not for several hundred years to come. The room had grown suddenly warm and Dee flopped down in his chair, mopping his brow and fanning himself with his cap.

There was only one thing that could possibly follow Les Demoiselles and that was the song that had become Hopeless’ very own anthem. Philomena dutifully fixed the wax cylinder in place on the phonograph, and lowered the circular brass reproducer, with its sapphire needle, on to its surface.  There was an expectant hush, then the unmistakable nasal strains of a strangulated Irish tenor came through the speaker…

“In Dublin’s fair city, where the girls are so pretty…”

Drury’s tail began to wag and a collective smile spread over the faces of the audience. Doctor Dee had heard Philomena singing this, so was well prepared to lurch into the chorus with everyone else, and soon the strains of ‘Alive, alive-o’ were echoing around the room. Just one onlooker failed to join in, or even tap his foot. Durosimi O’Stoat regarded his fellow islanders with nothing short of contempt as they swayed and smiled as they sang.

“What small-minded fools,” he thought. “They have John Dee, one of the history’s greatest occultists, in their midst, and all they can do is try to entertain him with some idiot song about a fishmonger. The sooner I get him back to his own time, and I go with him, the better. All that I need to obtain his full attention is a little bit of leverage in the shape of that Bucket woman, who seems to have beguiled him, for some reason. Now where is she…?”

 The islanders filtered out of the building, many still singing and everyone happy. The evening had been a definite success. Philomena smiled to herself and reflected that, if Doctor Dee was to be suddenly whisked back to Tudor times, he would at least take with him a happy memory of the island. As she watched the last few stragglers leave she decided it would be a good idea to stay an extra half-hour and make sure that the precious phonograph and its cylinders were packed away properly. Ever economical, she doused most of the candles and worked quietly and methodically. Suddenly a movement in the shadows caught her eye.

“Who’s there?” she asked, wishing that Drury had still been with her. As soon as the concert was over he had clattered off to the House at Poo Corner, where Rhys Cranham, the Night-Soil Man would be preparing to start his round.

A lone figure stepped into the dim pool of light cast by a single candle. It was Durosimi O’Stoat.

“Miss Bucket… a word with you, if I might.”

The Queen of Crows

The Queen of Crows came into existence because, thanks to Laura Perry, we have a crows suit in the Hopeless, Maine tarot deck. The image of her is based on me. This led me to an idea for a song and that song is part of this year’s Hopeless, Maine show.

If you’d like to hear a recorded version, I’ve put that on Patreon – https://www.patreon.com/NimueB

Like most people in comics, we aren’t rolling in money. Patreon support helps keep us viable, and at the moment it’s the only predictable income we have! Life is an adventure. Being able to afford more time for Hopeless and no needing to chase paying gigs so much means more Hopeless things can happen.

The Queen of Crows

When you are broken

The queen of crows will come to you

The shattered last remains of you 

And all the empty places will be feathers.

When you are bleeding

Your life released into the dirt

When all you know is shame and hurt

Nothing else remains but bones and feathers.

When you are dying

Her darkness is your last embrace

Your only comfort is her face

Her gaze upon your bones, the touch of feathers.

When you are silent

She puts her beak between your lips

And from your throat the crow caw slips

You scream and in her gaze are bones and feathers.

When flesh falls from you

And all your life is stripped away

She comforts you in your decay

You are falling screaming bones dressed all in feathers.

When they forget you

And all your truth becomes their lies

The world seen only through her eyes

You are peaceful you are drifting, you are feathers.

And when the light within you dies

The crow queen comes to take your eyes

And when your soul has lost its grace

The crows will tear into your face

And when your heart can beat no more

The crows will find you on the shore

And when your life is torn away

The crows will come to make you stay

And when your breath you cannot bear

The crows will feed on your despair

And when your mortal time is through

The queen of crows is born anew.

There’s No Place Like Hopeless

Doctor John Dee sat in the bar of The Squid and Teapot, happily chatting to his friends, Norbert Gannicox, Seth Washwell and Bartholomew Middlestreet. Occasionally Philomena Bucket would bustle by with a tray loaded with foaming tankards of Old Colonel and platters of Starry-Grabby pie, while Drury, the osseous hound, lay in front of the fireplace, resembling nothing more than a pile of discarded bones. Over the previous few days Dee had enjoyed a stimulating conversation with the shade of Father Ignatius Stamage, the Jesuit priest who quietly haunted a corner of The Squid, and a surreal encounter with Lady Margaret D’Avening, the phantom Headless Lady who occasionally manifested in the inn’s flushing privy. This was, indeed, the strangest of places, but Dee had no great wish to hurry back to Tudor England, where a wrong word or spiteful allegation could bring imprisonment, torture or an agonising death. Good Queen Bess could be as unforgiving and ruthless as her father, the much-wed Henry, when the mood was upon her, and her spymaster, Francis Walsingham, had eyes and ears everywhere.  No, this island of Hopeless, for all of its attendant horrors and privations, could teach sixteenth century England a thing or two about the rights of man.

There was one fly the proverbial ointment, however; Durosimi O’Stoat. During his lifetime John Dee had come across a lot of men like Durosimi – in fact one or two of these had also been named O’Stoat – and each, without fail, had self-interest as their single driving force. His position as Court Astrologer and fame in the field of alchemy had drawn these people to him, and now, hundreds of years later, it was his reputation that had attracted Durosimi. Dee smiled to himself. While it was cheering to learn that his legacy would be remembered far into the future, it was baffling, as well. Durosimi, like many others, was under the impression that Dee was some great sorcerer with dark and mysterious magical powers. The truth was that, having tried a few unsuccessful experiments, he knew that he had no magic; undeterred, however, he continued to possess a keen, not to say dangerous, interest in all aspects of the natural, and supernatural, worlds. Other than studying the heavens, taking part in the occasional séance and having an aptitude for scrying, he was very much like any other man of rank of his time, except that he was much, much cleverer than most, and he knew it. That’s how he had stayed alive for over sixty years.  

 “Another drink, Doctor?” asked Bartholomew, raising a hand to catch Philomena’s attention. Before he could reply, a pitcher was placed on the table and his tankard refilled. This ale was considerably stronger than that which he was used to, and John Dee was beginning to feel somewhat inebriated.

“I do not like Durosimi O’Stoat,” he suddenly declared, his voice slightly slurred. “I believe him to be a rogue and a scoundrel.”

Seth, Norbert and Bartholomew looked uncomfortably at each other. None would have disagreed with this sentiment, but would never have dared put it into words, especially in so public a setting.

“You see,” continued Dee, “he wants me to go back… go back to Elizabeth’s reign and take him with me. Ha! The fool does not know that I cannot do that, even if I wanted to.”

Dee regarded his friends fondly with glazed, moist eyes and patted Norbert reassuringly on the shoulder.

“And believe me, my most faithful of comrades, I have no wish… no wish at all to leave this most magical of islands…”

With that he belched, smiled weakly, then slid gently off his chair and under the table.  

“Methinks the doctor has overindulged in Hopeless hospitality,” said Seth with a grin.

“Well… if living in Hopeless is a better deal than being in his own time, it must be pretty awful there,” observed Norbert.

“At least we don’t hang, draw and quarter people,” broke in Philomena, who had come to clear the table, then added, “so much for Merrie England!”

“It couldn’t have been all bad,” said Bartholomew, “but like it or not, at some point he’s going to have to return. I looked him up in one of the encyclopaedias up in the attic. By my reckoning he’s got a lot to do at home and another twenty years to do it in. Let’s give him as good a time as we can while he’s here, because, one way or another, he’ll be whisked back to his own time without so much as a by-your-leave.”

“Then maybe we should start by getting him off the floor and into his bed,” said Philomena.

Doctor Dee woke with a headache. He could only imagine that the fog outside had somehow seeped into his brain. Fortunately, a crate of coffee beans had washed up on the beach just a week previously, enabling Philomena to make the doctor the finest hangover cure that she knew. It was with no little trepidation that Dee sampled the dark brew over breakfast. At first he pulled a disgusted face, but as the invigorating effects of the caffeine coursed through his body, he brightened visibly. Doctor Dee decided, there and then, that he liked coffee and would make a point of obtaining more of it (sadly for him, however, he would be dead for forty years before the exotic brew would eventually be brought to Europe).

Meanwhile, on a part of the island far less welcoming than the well-lit warmth and hospitality of The Squid and Teapot, Durosimi O’Stoat sat in his austere study and contemplated the problem of how to wheedle knowledge from Doctor Dee. The man had obviously been lying when he said that he had no idea how he had arrived on the island, and that he had no magic to help him. It was well known that Dee was a powerful sorcerer.  Durosimi was also aware that magicians were renowned for being secretive; in fact, none more so than Durosimi himself.  One way or another he would extract Dee’s knowledge from him, even if it meant chaining him up indefinitely.

Durosimi smiled unpleasantly. A sudden thought had occurred to him. Dee had made no secret of the affection that he felt for the Bucket woman, the Irish barmaid who skivvied in The Squid and Teapot. Maybe she could be the tasty morsel of bait which would hook Doctor Dee in once and for all.

To be continued…

Life after graphic novels

Those of you who follow us on Facebook may have noticed that we’re talking a lot there about the last graphic novel. This is Survivors, and we’re getting close to finishing it. Survivors is the last graphic novel in the story arc, and it’s the last Tom/Nimue graphic novel you are going to see. They’re just too time consuming, and we need more time to actually have a life and do other things. 

However, that’s not the final instalment for Hopeless, Maine, and a number of things come next.

We’re still working on making a film. We’ve been set back by the plague era, but not totally thwarted. Expect to see news on that as and when we have any.

We’re going out with live shows. You can find The Ominous Folk of Hopeless Maine at events in the UK. We want to do more events, which will be easier when we’re not also trying to make graphic novels. We’ve got some big ambitions for the performance side in 2023, big enough that we have to start working on that this summer. Please do suggest events we might throw ourselves at – we can go out as folk, steampunk and theatre. We’ve been to a Goblin Masquerade. We’re open to suggestions.

Otherwise, we’re moving into illustrated fiction. Both Sloth Comics and Outland Entertainment have already expressed a willingness to publish books that have more words in them. We’ve got a new story for you, set after the graphic novel series. It’s called Mirage, and Dr Abbey has been our co-creator for this. It’s a standalone novel, (we’ve tested it on the innocent) but it will probably be more amusing for people who already know the story to this point.

So long as we have ideas for stories, we’ll keep doing illustrated novels. We’ll likely have each of these stand alone, because that’s much less stressful for everyone. It’s also really important to us to only bring you new things if we feel like we have something worth sharing. We are not fans of things that are stretched out forever, recycling what few ideas they had in the hopes of milking every last drop from the cash cow!

There are also some not-Hopeless plans being explored, and we’ll point at those from here now and then when it makes sense to do so.

Survivors should be with you in 2023. Mirage should follow that in a smooth sort of way. Meanwhile we try and figure out a happily ever after for the creative team.

Granny Bucket

Philomena Bucket had not felt completely at ease, ever since her recent and unsettling conversation with Doctor John Dee. The alchemist, having been mysteriously transported to Hopeless from Elizabethan England, was convinced that Philomena was either descended from, or a reincarnation of, a certain Melusine O’Stoat, an erstwhile friend of his who had been burned for heresy.

There were two things about this revelation that particularly disturbed Philomena, the first being that she might be related to the infamous O’Stoat family. More worrying than that, however, was Dee’s insistence that he saw within her powerful magical abilities. Abilities, he promised, that would resist staying hidden for much longer. The truth of the matter was that, while Philomena had no wish to be remotely magical, she was well aware that she was able to see and sense things which were concealed from others. It was what Granny Bucket, back in the Old Country, had referred to as ‘The Sight’. Granny had also alluded to a lot more, but Philomena, having been the girl that she was, decided not to listen to things she had no wish to hear. How she wished that Granny was here now, to help her understand all this, but it was too late; Ireland was three thousand miles away, and Granny was long dead.

The flock of gnii, quietly flapping through the foggy night, cast a pale light through the small window of Philomena’s bedroom in The Squid and Teapot. She had not slept well and had just heard the stately Grandfather clock, sitting proudly in the corner of the bar, strike three. This, in all honesty, means very little, as the clock insists on striking three at various random moments throughout the day and night (one can only assume that it has a particular fondness for the sorts of things that might happen at three o’clock). On this occasion, however, the sepulchral chimes seemed to act as a clarion call, summoning an unseen presence to Philomena’s room.

The first indication for the barmaid that she was not completely alone was the sensation that someone was sitting on the corner of her bed. Although the light afforded by the migrating gnii was poor, it was enough to establish that the mattress was slightly depressed, with a faint, vaguely person-shaped apparition shimmering above it.  Philomena was not unduly concerned; she had encountered enough ghosts on the island to know that most were harmless, but this was the first time that one had ventured into her bedroom.

“Who’s there?” she asked, not really expecting an answer.

“Jaisus, Mary and Joseph, Philomena, do you not recognise your old granny anymore?” said the shimmer, with annoyance.

“Granny? Is that really you?” asked Philomena, incredulous.

“Of course it is, you great geebag! Has death changed me that much?”

“Granny,” said Philomena patiently, “I can’t see you at all. You’re just a bit of flickering moonlight to me.”

“Blast!” exclaimed Granny, “I’m always forgetting to adjust to the non-astral. Hold on a second.”

Philomena watched in wonder as the indistinct shape before her was transformed into Granny Bucket.

“Granny!” cried Philomena with delight, throwing herself forward to hug her much-missed ancestor. Granny remained much-missed, however, as Philomena’s arms closed around nothing.

“Oh, you’re not really here, then?” she said, sadly.

“I’m as much here as you are, girl,” said Granny crossly, “except that my ‘here’ and your ‘here’ aren’t in quite the same dimension.”

Philomena nodded. She had come across a similar obstacle with Margery Toadsmoor, Miss Calder and other ghostly friends. She had vainly hoped that Granny might be a little bit more corporeal.

“Anyway,” said Granny in her no-nonsense way, “why did you call me?”

“I haven’t called you,” said Philomena. “Although, you’ve been on my mind a lot lately.”

“I know, and that was enough to drag me back to you. It’s that Doctor Dee, isn’t it? He’s been telling you stuff – stuff that you ought to have known if you had listened to me in the first place.”

Philomena looked at her old ancestor with some surprise.

“He is right, then? I’m an O’Stoat? Not a Bucket?” she asked.

“Of course you’re a Bucket,” snapped Granny. “Melusine O’Stoat was a Bucket too, originally, but she defied family tradition and took her husband’s surname – and all for the sake of vanity, if you ask me! O’Stoat was a powerful wizard, right enough, but the cowardly dog dashed back to Ireland after the English burned his wife, leaving his children – his own flesh and blood – behind, in the care of his in-laws, the Buckets.”

“And I am descended from them…” said Philomena, blankly. “So all that Doctor Dee said is true. I am a witch.”

“So now the penny drops!” said Granny, exasperated. “All of the Bucket women have been witches, for more than a thousand years, but it’s not a thing we talk about. Too dangerous by far, even in these relatively enlightened times.”

“Doctor Dee said I have great abilities… “ began Philomena.

“Doctor Dee says! Doctor Dee says!” ranted Granny. “Who cares what Doctor Dee says? Know yourself, girl. Yes, for some reason you have more magic in you that any of your ancestors, including Melusine, or me. I don’t know why. Maybe coming to this god-forsaken island has something to do with it.  It’s something you’ll have to learn to live with.”

“Doctor… ” began Philomena, then hurriedly corrected herself, “I was told that this power is like a wild horse straining to be free.”

“And so it is,” said Granny. “So you better learn to ride, and pretty damn’ quick. Be careful, my girl, it won’t be easy.”

With that warning Granny’s shade began to fade, until it was no more than a brief evanescence.

Philomena peered helplessly into the darkness. Sobs shook her body and tears streamed down her pale face.

There was a distant noise in her head, a noise that she had not heard for some years, not since she had left the Coal Quay of Cork, as a stowaway on the merchant ship ‘Hetty Pegler’. It was the unmistakable sound of galloping hooves, and they were getting nearer.

The Cursed Letter Opener of Otley Chevin

Otley Chevin inherited the letter opener on the day when he found it inside his great aunt. Given the state of her remains, it was hard to tell whether some person unknown had stabbed her with it, or whether she had simply had a funny turn while holding it and had fallen onto it. That is was between her shoulderblades would have encouraged some people to infer murder. However, Otley knew his Aunt Maud well enough not to jump to that conclusion. 

The winter before, there had been an accident where Maud had been found, pinned to the inside of her front door, by the very same letter opener. At the time she had explained to Otley that she’d been trying to deal with a massive spider on the ceiling and had fallen from the chair that had been serving as a ladder, and that the letter opener had slipped somehow, going right through the skin on her shoulder and trapping her against the door.

It was the letter opener with which Maud’s father, Asparagus Chevin, had cut his own throat. Which given that the letter opener was barely equal to cutting paper, must have been a long and rather unpleasant sort of process.

If there was a story about where the letter opener had come from, Otley had never heard it. He supposed it had to be from the family’s pre-island days, when they lived somewhere that people sent letters to each other rather than just going round and yelling outside each other’s houses like normal people. Great Aunt Maud certainly couldn’t read, and didn’t think her father could read either. Now Otley, equally unskilled in letters in every sense of that term, was the possessor of a letter opener that he had no obvious use for. A letter opener that, at this point had been involved in two hideous deaths. 

Three if you counted that time Herb Chevin used it to kill Heebie Chevin after he died and was buried and then came back again. That one was contentious. Does it really count as killing someone if they’d definitely already been dead once?

Otley buried his aunt in her back garden. Partly because it was what she would have wanted, partly because moving her sticky remains round in pieces on a shovel was pretty undignified and putting in her in a wheelbarrow to get her to church didn’t seem like the right thing either.

He took the letter opener home, and gave it pride of place on the mantelpiece, having moved half a skull and a couple of odd looking stones out of the way. He liked the way the pretty handle caught the light. He was so busy admiring it that he nearly tripped over the hearth rug and barely saved himself from falling face first into the fire. 

(With thanks to Andy Arbon for the prompt and the letter opener.)

A Remarkable Resemblance

Nothing stays secret on Hopeless, Maine, for very long. News that a visitor from the sixteenth century was staying in The Squid and Teapot had caused ripples of surprise all over the island, almost before he had been offered a room at the inn. While others only marvelled that their little island home should be graced by a traveller of such antiquity, Durosimi O’Stoat was excited beyond words, although, of course, he would never admit to entertaining such a vulgar emotion. What had captured Durosimi’s undivided attention was the fact that he had heard the name ‘John Dee’ being bandied around. While no one else on Hopeless had any idea who John Dee was, or had been, Durosimi knew him to be the Astrologer Royal to Queen Elizabeth of England, an alchemist and scholar, respectable occupations for a man of his era. Durosimi, however, was also aware of Dee’s reputation as a necromancer and a magician. Here was a man after his own heart, someone unafraid to open forbidden doors to dangerous secrets. And John Dee was now residing in The Squid and Teapot!

Durosimi was not known for being attracted to such common places, but for the chance of meeting John Dee, he would have happily taken tea in the Night-Soil Man’s front parlour.

“Might I be of some assistance?” he had asked innocently, from his seat in the corner of the snug. Bartholomew and Ariadne Middlestreet, Philomena Bucket and Norbert Gannicox turned their heads as one at the sound of his voice. They had no idea that anyone else was in the room while they were discussing the strange events that had brought Dee to the island.

“John Dee. I understand that he is a guest here. I may be able to help in returning him to…” Durosimi paused, searching for the right words. Finding nothing appropriate he added “… returning him to his loved ones.”

Philomena shuddered involuntarily. Although the voice was full of charm, she imagined it was how a particularly well-mannered spider might sound as it invited you into its web.

“That would be up to Doctor Dee,” said Bartholomew, coldly. He had never liked, or trusted Durosimi.

“Indeed,” replied Durosimi. “But I am keen to speak to the good doctor. I have always been a great admirer of his work. Please be good enough to give him an invitation to my home, at his convenience, of course.”

With that he stood up, gave them a stiff nod of his head, and stalked out. There was, for a few seconds, a stunned silence.

“Always been an admirer of his work?” said Ariadne scornfully. “What a load of rubbish. Why, the doctor hasn’t been on the island for five minutes.”

“I’m not so sure it’s rubbish,” said Norbert. “Dee’s a rum character, and no mistake. You should have seen the room we first met him in. O’Stoat would have given an eye to have some of the playthings we saw there. I reckon our Doctor Dee is more famous than any of us know.”  

“That’s as maybe,” said Philomena, “but an invitation is an invitation. We’ll have to tell him.”

It was over a pint of Old Colonel and a hefty slice of Starry-Grabby pie that Doctor Dee learned of Durosimi’s invitation.

“O’Stoat,” he said, ruminatively chewing a particularly tough bit of tentacle. “Yes… O’Stoat. Of course… Melusine O’Stoat! That’s who she reminds me of.”

“Sorry… who reminds you of Mellers.. Melons… whatever her name was?” asked Bartholomew, pouring him another drink.

“Melusine? Oh, Mistress Bucket looks very much like her. In fact, the resemblance is remarkable.”

“I don’t think that Philomena is related to the O’Stoats,” said Bartholomew. “This Melus… woman, is she a friend of yours?”

“She was, many years ago, yes,” said Dee, sadly. “Burned for heresy, I regret to say, during Mary’s reign, as I almost was myself. But I am positive that Mistress Bucket must be her descendant.”

Bartholomew said nothing. He was by no means sure how pleased – or otherwise – Philomena might be to hear that she was possibly related to the O’Stoats.

John Dee downed his second pint of Old Colonel, smacked his lips and said,

“But yes, I’ll meet with this O’Stoat fellow. They were a family famous for their dabbling in all sorts of magical arts, not all of them safe, in my day. It will be interesting to see how their line has progressed.”

“Or not,” thought Bartholomew, but was wise enough to keep his own counsel.

“I’ll ask Philomena to take you along to Durosimi’s home tomorrow,” he said, instead. “It will be a chance for you to see some of the island… and maybe you can tell her about Melons.”

“Melusine,” corrected Dee.

It had taken Doctor Dee half of the following morning to be convinced that Drury was not a Hell-Hound. Having been confronted by an irate spoonwalker, felt the gaze of the eyes in the sky, and then embarrassingly surprised by Lady Margaret D’Avening, the Headless Lady who haunted the privy of The Squid and Teapot, he decided that a skeletal dog was not that unusual after all, and the pair became quite friendly. This was just as well, for whenever Philomena went for a walk, Drury insisted on tagging along.

Philomena found the doctor to be both attentive and interesting company, and easy to talk to. She found herself telling him about her childhood in Ireland and her voyage, stowing-away on the ship that brought her to Hopeless. She even burst into a few verses of ‘Molly Malone.’ Like Drury, Dee was particularly taken with the chorus of ‘Alive, alive-oh’, joining in enthusiastically.

“That’s a good song,” he said. “I must tell young Will Kempe. He’s one of the Lord Chamberlain’s Men, Master Shakespeare’s company of actors. You’ve heard of Master Shakespeare?”

“Oh yes,” said Philomena, “but not Will Kempe.”

“That surprises me,” said Dee. “He is as famous as Will Shakespeare in my time. Do you know, he danced all the way from London to Norwich. One hundred and twenty-five difficult miles. It took him nine days. The Nine Days’ Wonder, they called it… and you, dear Mistress Bucket, you too are a wonder, do you not know?”

Philomena’s pale face reddened slightly,

“Doctor Dee, I believe that you are a married man… “ she began nervously, but before she could say any more,  Dee interrupted.

“My dear young lady, please do not misunderstand me. All I meant was that you are someone who possesses great power, though you may not know it. I recognised you as being a descendant of Mistress Melusine O’Stoat, a wise woman and seer, and I see in you even greater abilities than were hers.”

Philomena’s face reddened even deeper.

“I’m nothing to do with the O’Stoats,” she said, defensively. “Surely you must be mistaking me with someone else.”

John Dee took Philomena by the shoulders and allowed his fierce blue eyes to bore into hers.

“No. Believe me, Mistress Bucket, I know power when I see it, and yours is greater than mine will ever be. It is like a wild horse, just waiting to be set free. If you are not her descendant, then I honestly believe you to be Melusine O’Stoat reborn.”

Philomena gulped.

“I can’t believe that. I don’t feel very powerful” she said. “Please, Doctor Dee, don’t tell this to anyone else… especially Durosimi O’Stoat.”

Dee smiled. “If that is your wish,” he said. “Why, I believe that is Master O’Stoats abode ahead. I will leave you now, Mistress Bucket. Do not ignore what I have told you. Magical power such as yours will find its way out eventually.”

Just then Durosimi appeared at his door and strode down the pathway, greeting John Dee and totally ignoring Philomena.

“There is no way on this earth that I am an O’Stoat,” she thought to herself grimly.

Somewhere, in the far recesses of her mind, she could hear Granny Bucket chuckling.

Marieanne McAvoy’s dustcat hat

Cat hat, dustcat hat, cat on a hat that’s where she sat

And the dustcat of course was round and fat

In the hat, with ears like a bat having eaten the dust

That she licked from the mat, 

With a tongue like a tube, like a trick like a twist

It’s a dustcat hat it’s a joke it’s a trap 

And its heavier now than a regular cap

But a regular cap won’t

Give your face a lap with a long tube tongue

That can suck and rasp

And you gasp and you writhe as it licks your face

The hat’s cleaning you, such a big disgrace

For what is dust but bits of skin

That are dead, that are dry, that are flakey thin

What a dustcat wants is a dusty snack

And your skin is fresh but it won’t hold back

Not this hat, not this dustcat hat on your head

In your face, clawing down your spine

Eating skin, dead skin maybe yours maybe mine

It may not be cute, it might be an attack

But you won’t like a cat who is feeling a lack

Any lack at all it’ll be in your face,

With its teeth and its paws and its feline grace

What were you thinking, did you dust this place?

Now that cat in your hat has to eat your skin

Though it looks quite fat this cat feels so thin

And you won’t put it off with the scent of gin

And you won’t get away though you try and you pray

It’s a cat hat, dustcat on your head

And it may eat your face if it thinks you’re dead.

(With thanks to Marieanne for the prompt!)

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