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Why Do I Paint Monsters?

 

They say I am veiled as the paintings in my attic

that I keep my life concealed like skeletons beneath white sheets

that only hair pins hold me together and a spinster’s habits

that I am pale because only tentacles touch my heart.

How little they know what goes on in my secret place,

my haven, where I keep my paintbox, my paints, my easel,

which always tells the truth whoever steps from behind the curtain

into the frame and by the steady brush of my hand coalesces.

Why do I paint them? You ask. Why do I keep their faces

emptied out with a candle above as a nod to their puttering souls

lit without a single match by flames that grow ever brighter

as this island gets more hopeless and I grow wiser?

My life has not been easy. Read this in my downturned lips –

this would not have been my first choice, but now they want me

to oversee the rules of a new game I am hiding my damp brushes

and paints away and smiling a small smile like a masquerade.

 

Words by Lorna Smithers, who we welcome to the island with this piece. I have had the honor and pleasure of doing the art for two of her book covers- The Broken Cauldron and Gatherer of Souls. It is beautiful writing of the sort that will change your internal landscape.  Please visit Lorna here.

 

Art- Tom Brown

The Perilous Life of a Reviewer

A warning here (lavishly illustrated with photos) from the frighteningly brilliant Nils Visser. It may be wise to prepare to defend yourself (and your book) before sitting down to read Hopeless, Maine. Nils is the author of Amster Damned, (which I loved!) among other things, also,  he is apparently handy with a cutlass.

 

“Upon my first attempt to mind me own business and settle down for a good read of Hopeless, Maine SINNERS, I was blissfully unaware of the dangers posed…ere I knew it a slithering serpent with many rows of razor-sharp teeth materialised and attempted to snatch the graphic novel away from me. Fortunately, I’m skilled with a cutlass, and sliced the dastardly creature into sushi. I was given no chance to recover, however, as a first tentacle wrapped itself around the book, announcing the appearance of a far more dangerous creature. All I can say, never try to wrestle with an angry octopus. I have retreated, but have vowed: I’ll be back!”

The Blue Emperor

A patchwork of bricks undulate in smog

the houses and inns connected by arteries of alleys

Walls sag like tired frogs sat in grime and bulge from years of swallowing

In between the amphibious buildings that eat people whole is a man a cobalt dragonfly

his hood up a hole and no face sleeves connected at a chest no outline of legs when he glides

A rag child said two claret dots inhabit the dragonfly’s shroud

This the only statement that was said aloud but whispers chatter in cupped palms and over drinks

since shutters sealed when patrons leave as a weary bird calls and light wheezes through sky

In the darkest blue speckled with stars streets are glossed black and cherry

as human-flies pop no fists connected or intoxicated braying just echoes of thick snoring

In the grey when fish fill noses port stains dry on the road tasting like rusted pig salt

Investigators finger the outlines squatting in corners writing a profile on bleached yellow paper

Children push at thighs to spot guts but there are no gizzards no sliced hands or spoiling innards

just a spattering of puddles saturated in stonework crannies that insects stick to like seeds in jam

No victims just a switch of people to pools on mouldy cobbles

The Blue Emperor flutters on a headline before being washed down gutters

Handymen scrub watching every seagull shadow stains not cleaned just passed to skin

The thin and sick vagabonds that don’t know tricks chant and pray in warped corners

Ankles poised to kick a bolted hatch when the dragonfly hovers and silk flows

On a pub door fingernails dig and oak is scratched and split

Watch at two for a dragonfly

If it stops in front say goodbye

To loved ones embrace and sound a bell

The Blue Emperor is where you dwell

Pray Pray Pray

For a light to mark the day

and a good sea wind to take his wings away

The Blue Emperor by performance poet Ziggy Dicks (welcome to the island, Ziggy!)

Art by Tom Brown

The Blind Poet continued

In anticipation with the misty aura precipitation falling on the wet cobbled streets,
footsteps echo, echo.
The blind poet’s back straightens; shoulders awkwardly flex, fingers and fist clench with intense momentary anxiety around the long black cane. Will it ever be the same?
Ten years is a long time to wait, sit, think and debate with fading colours of her midnight black hair.
From the homeland he remembers too painfully a saying –
No man is an island
Except for the Isle of Man.
Will he know how to talk to her?
Can smiles run together?
A grin starts to fill his wet stubble skin, and then within seconds the echoes vanish.
No trace, no return, no smiles.
Silence
Damp, cold, empty, nothing.
She could light up a room on arrival,
turn a glance to a gaze, thousand yards of staring bearing all beauty can behold
with confidence many never possess.
He was hooked, drawn in and now many full moons later gutted,
sitting alone in the mist and rain on the harbour side of Hopeless Maine.

 

 

Words by Gary Death

Art by Tom and Nimue Brown.

The Blind Poet

The Blind Poet
Hopeless, Maine
If only you could see it.
Through the mist bursts forth the ferry’s bow.
No flicker of a smile, without hesitation or concern he steps confidently ashore.
The Blind Poet has arrived.
Carving visual thoughts through orange glowing streets he pauses to reflect on heady days of old.
The gambling, the addiction all now conflicting into each stride taken in this new location.
The black cane, the stick a weapon or an aid to defend or project for safety or status.
All of these are debatable.
He trusts no-one.

Once well-read ‘til his eyes swelled and bled, those secrets kept deep within his head – tilts to listen for footsteps on the wet cobbled stones….he waits for news.
Memory holds many chambers of hope, love, regrets and pain.
He knows that her beauty will never be seen again.
But maybe…
The voice a touch can rekindle a flame on this misty evening in Hopeless, Maine.

Galleries of oil paintings, landscapes of old forest trees.
Sitting viewing, holding hands.
All spin through his ageing head.
The good days the easy times.
Thoughts of warmth wrap themselves around him tonight in the lampposts’ glow.
A seagull cry breaks the silence and thoughts of the past.
Echoes of steps drawing nearer and nearer fill the quay side street.

Words by Gary Death

Art by Tom and Nimue Brown.

To be continued.

 

Our Toys need us!

Hello people! (and others)

This week the Vendetta will be departing from the norm because of special circumstances, and for the best possible of reasons.

Edrie Edrie and Walter Alice Sickert are some of our favorite people in the world, at all ever! They are our art heroes and have been part of our journey as creators since the beginning of the Hopeless, Maine project. Walter and Edrie are the hub of Walter Sickert and The Army of Broken Toys (Which is one of our favorite bands in the world at all ever. You may be seeing a pattern developing here) Walter is also a visual artist (And all around creative force of nature)  We commissioned him to do this Salamandra piece for the first graphic novel volume of Hopeless, Maine.


Bloody. Gorgeous.

He also wrote a hopeless, Maine song that had me in actual tears the first time I heard it. Here is a video Nimue made with the song as the soundtrack.

If/when the thing that we can not talk about happens, you know that the Toys will be a part of it, because they get it on a very deep level and are just plain bloody amazing.

Now, let’s get to the crux of the matter. Edrie is (for a brief time, and obviously through no fault of her own) sans job. In order for the band to be able to continue making music and art and love and tentacles and amazingness, they need the funds for studio time and all of the other necessary things. Here is how that is going to happen. They have a Patreon Page where you can go and pledge and as a side effect, be exposed to more brilliant, wildly creative art and music. In these times especially, WE NEED THESE PEOPLE MAKING ART. (Pardon the volume, I feel strongly about this) So please, please, pretty please with tentacles, get in there and be a part of this!

(Tell them Tom and Nimue sent you)

Enter a world of Steamcrunk Imagination!

 

Love and tentacles (As Walter would say)

Us.

Thanksgiving

Here on Hopeless Thanksgiving has never been as popular as it is on the mainland. There are valid reasons for this as most islanders, or their ancestors, came here unwillingly, more often than not as the result of a shipwreck and few have seen little reason to give thanks for anything. Another contributing factor to the general indifference to the holiday is that most of the variety of foods associated with it are scarce, to say the least. Despite these factors, however, following a disastrous Hallowe’en party (related in the tale ‘The Unquiet Gravy’) Betty Butterow was determined that Thanksgiving that year should not only be celebrated but celebrated properly.

Having made up her mind to do this  Betty compiled a shopping list and sent her husband, Joseph Dreaming-By-The-River-Where-The-Shining-Salmon-Springs, to the city of Portland with strict instructions to bring back only the best of everything. Joseph, originally a trader from the Passamaquoddy tribe, was one of the few people who regularly went back and forth to the mainland, often bartering moonshine for whatever was needed on Hopeless. When, at last, he returned from this latest trip, Joseph’s  canoe lay low in the water, laden down with enough sweet potatoes, cranberry sauce, dressed turkeys, corn, pumpkins and a host of other comestibles, to provide the makings of a real Thanksgiving feast.

The Lypiatt family, who owned The Squid and Teapot, were as enthusiastic as Betty to make this an occasion to remember. They filled the ground floors of the inn with chairs and tables; dining tables, kitchen tables, gateleg-tables, card tables, trestle-tables – you get the idea, I’m sure – begged and borrowed from all over the north of the island and beyond. Bill Ebley donated several crates of ‘Old Colonel’ from his brewery, while his brother-in-law, Solomon Gannicox, sent a firkin of his popular and famous ‘Gannicox Special Distillation’. Almost uniquely on Hopeless, this promised to be a night that nothing could mar – and fortunately the full moon was not due until the following Saturday, so there was no possibility of Lady Margaret D’Avening suddenly manifesting in the privy and upsetting the unwary.

The evening of Thursday the twenty-sixth of November arrived and the guests who poured into The Squid and Teapot gasped at the sight that greeted their eyes. Never before on Hopeless had such extravagance been seen. Each table, laden with the most mouth-watering delights, was graced by a number of candles, thrust into either old wine bottles or candlesticks. The effect was quite magical, creating a constellation of flickering lights that sent shadows soaring up honey-gold walls, gilding the simple cutlery and twinkling in the delighted eyes of young and old alike.

Those familiar with these tales and conversant with the ill-fortune that often besets the islanders will doubtlessly be expecting some dreadful tragedy to occur. I am happy to report that on this occasion nothing untoward happened. Joseph Dreaming-By-The-River-Where-The-Shining-Salmon-Springs breathed a huge sigh of relief at the end of the evening. He had, quite erroneously, felt responsible for the shambles that was the Hallowe’en party; this success seemed to put things right. It had been no mean feat haggling for the party food and then transporting it to the island. The result, however, made everything worthwhile. He sat back in his chair a contented man. He was even happier

when, after the guests had left, Sebastian Lypiatt urged everyone helping to get home to bed and leave the clearing up until the next day.

It was in the early hours of the following morning and Randall Middlestreet, the Night-Soil-Man was more than half-way through his round when he reached The Squid and Teapot. Since the installation of the new privy, some six years previously, he had found no reason to call there but tonight, however, was the exception; this was pleasure rather than work. Betty Butterow had made up a small hamper of Thanksgiving food for him, along with two bottles of ‘Old Colonel’, leaving instructions for Randall to collect it from the porch. This was a rare treat. The unsociable nature of his calling usually excluded the Night-Soil Man from celebrations on the island. This did not trouble Randall particularly; he was introverted by nature and was happy not to attend but the promise of sumptuous food and strong beer… well, that was a different story.

Randall, having collected his hamper was just leaving the porch when he heard a faint, clinking noise. This carried on for a while then the clinks were joined by a volley of high-pitched, argumentative squeaks, all coming from within the building. It sounded as though the Squid was being burgled and Randall hazarded a guess as to whom the culprits might be. Spoonwalkers, no less! He slipped into the darkest shadows, beneath the wall, making sure he was well downwind of the doorway.

A minute or so elapsed before the diminutive burglars appeared. There were half-a-dozen of them, each laden down with as much food as they could carry. Some were sporting extra spoons, stolen from the uncleared tables. Randall grinned to himself in the darkness; despite their evil reputation and madness-inducing gaze there was no denying their comical aspect.  His grin grew even broader when two more appeared, carefully carrying a glass filled with ‘Gannicox Special Distillation’. They gently lowered the glass to the ground and then the eight Spoonwalkers stood examining it with some curiosity. One cautiously dipped a spoon into the clear liquid and took a large sip. Randall nearly gave himself away and only managed, with difficulty, to stifle a laugh when the Spoonwalker almost toppled off its cutlery stilts in a fit of coughing. The others fell back, obviously worried at their colleague’s reaction but were reassured when, once recovered, the inquisitive creature felt emboldened enough to sample another sip of the powerful brew. This time, fully prepared for the taste, the Spoonwalker drank with gusto, then, just to be sure, helped itself to several more mouthfuls. It did not take long for the others to join in and soon the contents of the glass were completely gone.

Spoonwalkers, although adept at all sorts of criminal activity, are not known for their drinking habits. To be frank, this particular raiding-party had no head for booze at all. They were soon giggling and staggering around in the time-honoured fashion of drunks everywhere. Then something peculiar happened. One of them started to dance. Randall could not believe his eyes. It was definitely a dance, with a regular set of steps and gestures. To add even more to this most bizarre of scenes the other Spoonwalkers began to make a humming noise, a noise which could be loosely construed as being faintly melodic as, one by one, they all joined in the dance. Randall found a stub of pencil and a scrap of paper to record what he was witnessing. I have taken the liberty of paraphrasing his words slightly, here, in the hope that the ‘Spoonwalk’ might become a recognised dance on the island. Foot and arm movements are suggested in the lyric but feel free to improvise.

(Any resemblance to a certain other dance is purely coincidental. Honestly).



It’s  just a hop to the left.
And then a step to the right.
Put your spoons where they fit
Pull your tentacles tight.
But it’s those glowing eyes
That really drive you insane.
Let’s do the spoonwalk again.
Let’s do the spoonwalk again.