Category Archives: Tales from the Squid and Teapot

Ghost Writers In The Sky

A strand of folklore common to various cultures throughout the western world is that of The Wild Hunt. From the Viking settlements of Scandinavia to the plains of Arizona, via several points in-between, many attest to having seen this ghostly cavalcade of wraiths racing across the night sky, filling the air with the clatter of hooves and the baying of hounds.
No one would express surprise to learn that Hopeless has more than its fair share of Wild Hunts. On a particularly busy night two or three can run into each other and the result is invariably chaotic. There are always tantrums, hissy fits and disagreements regarding rights of way and inevitable disputes about who is entitled to pursue what or whom. Occasionally a scuffle ensues, which is one of the more entertaining spectacles for anyone brave or foolhardy enough to be abroad on such a night.
One of the lesser known and least exciting of these chases across the sky is locally referred to as The Mild Hunt. Legend has it that many years ago a group of six lady authors set out from England to seek intellectual freedom in the New World. They had little money and their only possessions were three mules, a pair of springer spaniels and enough paper and ink to keep them occupied on the long sea voyage. The journey was largely uneventful and the ladies spent their days sitting on deck, laboriously writing improving pamphlets, which were intended to be distributed among the grateful inhabitants of New England when they eventually reached their destination. Sadly, just as they had sighted Maine, a terrible storm arose, as if from nowhere. The wind picked up and every one of their pamphlets was swept into the air. The ladies scuttled around the deck trying to retrieve them but all to no avail. Before long, near one of the many little islands that cluster around that coastline, the ship struck an outcrop of rock and quickly sank; every living creature on board descended to a distinctly watery grave. Under normal circumstances that would have been the end of the tale but this particular rocky outcrop was part of an Island that is frequently omitted from the charts. An island that seems reluctant to let its dead rest for very long…
As far as anyone knows the drowned crew all retired to a happy eternity drinking rum in Davy Jones’ locker. The ghosts of the ladies and their livestock, however, had a different fate. So distraught were they over losing their handwritten pamphlets, they vowed to scour the skies until each one was retrieved. Doubling up on the mules, with the spaniels at their heels, they rose into the heavens, amid a chorus of brays and irritating barks, eternally damned to fulfil their quest. Occasionally, when not unceremoniously falling off the mules, they can be spotted taking tea and cake with other wraiths, notably The Mad Parson of Chapel Rock and The Headless White Lady who is known to haunt The Squid and Teapot (though how she manages to consume tea and cake is a mystery in itself).
The legend gave rise to a popular song, often heard around the island.

Ghost Writers in The Sky

A night-soil man went strolling out across the darkened land,
Upon a ridge he rested, his bucket in his hand.
For all at once he spied some paper flying through the air
Ghostly pamphlets, by and large, littering everywhere.

The edges of these pamphlets burned with a fiery glow,
The ink was black and shiny and the paper white as snow.
A bolt of fear went through him as they fluttered through the sky
For he saw the riders plodding up and he heard their mournful cries

Dearie me, oh
Dearie me, oh gosh.
Ghost writers in the sky

Their faces gaunt, their glasses blurred their skirts all creased and stained,
With wraith-like spaniels at their heels they clung on to the reins.
They’ve got to ride forever across the Hopeless skies
On flatulent old mules, you can often hear their cries.

As the riders loped on by him he heard one call “Yoo hoo,
If you want to help us out, young man, there’s something you can do.
If you should see some pamphlets a-fluttering in the breeze,
Stick them in your bucket, lad, and put the lid down, please.”

Dearie me oh
Dearie me, oh gosh!
Ghost writers in the sky
Ghost writers in the sky
Ghost writers in the sky

 

art by Tom Brown

The sound of the cutlery moving.

Greetings people! (and others)

This week, we start a new regular feature on the Hopeless, Vendetta- TALES FROM THE SQUID AND TEAPOT. You will find this here every Tuesday. This column is written by the greatly esteemed Martin Pearson and we are proud and massively chuffed to bring him to the island and then, to you. So, without further ado, we give you the first tale…

When W.S. Gilbert (of Gilbert and Sullivan) went to America in 1871 he was invited to visit the island of Hopeless. He reputedly spent a night in the Squid and Teapot and the experience gave him the idea for an operetta. Sadly this was never completed. If it had it would have been his first collaboration with Arthur Sullivan. As it is, only a tiny fragment of the libretto survives. This song, possibly incomplete, is almost certainly based upon Gilbert witnessing the mysterious spoonwalkers at first hand.

When you wake in the night
With your chest feeling tight
And sweat dripping down on the bedding.
You might fervently pray
You were far, far away,
In Timbuctoo, Bombay or Reading.
Then despite all your prayers
There’s a noise on the stairs
You know that your night’s not improving.
For that ominous clink
Makes one long for a drink,
It’s the sound of the cutlery moving.

Oh that ominous clink
Makes one long for a drink.
It’s the sound of the cutlery moving.

When the cutlery drawer
Isn’t quite as before,
And the spoons have all left without reason
You might think that the maid
Had somehow betrayed
All the trust you’d allowed her this season.
But you know in your heart
This is only the start
And the knowledge is really unsoothing,
For a spoon has no leg,
So the question I beg
Is “How is the cutlery moving?”

Oh a spoon has no leg,
So the question I beg
Is “How is the cutlery moving?”

What unholy sort
Is forced to resort
To stealing my spoons for prosthetics?
Do they need every one
To furnish their fun
And indulge in demonic athletics?
How I wish they’d depart,
It would lighten my heart.
They can keep all my spoons, thereby proving
That I’m terribly scared
And never prepared
To hear that dash’d cutlery moving.

Oh I’m terribly scared
And never prepared
To hear that dash’d cutlery moving.

​Obituary-Sir Fromebridge Whitminster

I was saddened to learn, this week, of the sudden death of my old friend and sometime drinking companion Sir Fromebridge Whitminster, last of the great actor managers, tragedian and founder of the ill-fated theatre troupe The Hopeless Players.

Sir Fromebridge washed up¹ on to our shores many years ago from England, following a fall-out with the management of an esteemed London repertory company. He cited artistic differences as being the main reason for his leaving the land of his birth and that of his beloved Shakespeare.

From the moment he arrived in Hopeless he became convinced that the island had been The Bard’s inspiration for Prospero’s Isle in ‘The Tempest’, possibly gleaned from tales related by a sea captain who had ventured to the early colonies. On one occasion I challenged this assertion, quoting the words of Caliban:

Be not afeard. The isle is full of noises,
Sounds, and sweet airs that give delight and hurt not…”

It hardly sounded like the Hopeless I knew.

“Poetic licence, dear boy,” he said. “But the bit about the place being full of noise is deadly accurate.”

It would be impossible to celebrate the life of this man without mentioning the short-lived Hopeless Players; their history is not a particularly happy one. The troupe toured the island several times, aiming to bring Shakespeare to the people. The problem was that, by and large, not only the people but the the island itself were hostile to this intrusion of, what they regarded as being, largely incomprehensible language and convoluted plots.²

The tragedies which occurred within The Tragedies are too numerous to recall, but certain ones stand out. There was the memorable occasion on the North of the island when the profusion of ghosts on the stage made it impossible for an uncharacteristically elderly Hamlet to pick out which one was supposed to be his father. As it happened none of them were, as the actor assigned to the job was, at the time, being seduced in his dressing room by a passing succubus.

The following year saw the King Lear incident. In a less than salubrious town-hall the cry of “Out vile jelly” had a swarm of timid, diminutive and generally shapeless life-forms climbing out of the woodwork in the mistaken belief that they were being evicted from their homes. The final straw came during a production of MacBeth, or The Scottish Shambles, as the company came to call it. Sir Fromebridge had completely underestimated the potency of the witches’ spells when cast on this particular island, especially beneath a full moon. The sight of Birnham Wood being transformed into a window-box, Banquo’s sporran spontaneously combusting and Lady MacDuff sprouting bat wings and a tail was unforgettable. Any rapidly diminishing chances of the show going on were scuppered completely when a set of bagpipes scampered around the stage viciously attacking the surviving members of the cast. On the plus side, this was the only time any of their performances received a standing ovation. The applause was deafening and enough to waken the dead, had they not already been enthusiastically joining in from the second row of the balcony.

After that what remained of the troupe quickly disbanded and Sir Fromebridge spent his twilight years holding court in the snug of The Squid and Teapot, a quayside hostelry frequented by mainly British exiles. He was a familiar sight in his trademark flop-brimmed fedora and billowing black cape, sharing anecdotes of a flamboyant theatrical past and gossiping about his various leading ladies.³

To keep himself occupied he attempted to teach the local people the correct pronunciation of certain words, such as tomato, schedule, lieutenant and aluminium. Sadly, none of these really featured much in the vocabulary of the average Hopeless resident so all was to no avail. However, while his efforts to anglicise the natives came to nothing, the culture of the island managed to reach him in its various ways. In fact, the very last time I saw him he was lurching out of The Squid singing, almost in tune, a popular island ditty:

” You can bring Rose with the grotesque nose
But don’t bring Cthulu…”

To my knowledge he passed away soon after, slipping quietly away in his sleep. (4) He will be sorely missed.

Editor’s notes:
1) Many believed him to be washed up long before he came to Hopeless.

2) And also unaccountable financial discrepancies concerning ticket receipts.

3) The chances are that he didn’t mention the critic who observed that
‘Whitminster believes himself to be elevating the stage, when in reality he is only depressing the audience’

4) This is not completely true. Eye-witnesses relate that he staggered out of The Squid and Teapot, following a particularly agreeable liquid lunch, to settle down to sleep upon, what he seemed to believe to be, a large smooth rock. This was in fact the belly of a juvenile aboo-dom-k’n, basking in the thin, greasy light of some unaccustomed sunshine. This sudden burden disturbed the beast which, hardly believing its luck, slipped quietly into the sea, taking its lunch ( that is, the artiste previously known as Fromebridge Whitminster) with it.

 

This post written by the esteemed Martin Pearson, proving that it does indeed run (or slither) in the family.