Tag Archives: Steven C Davis

True tales of the Hel-Boar

Sometimes Hopeless gives birth to strange entities who do not live on the island. Over to Steven C Davis for a story about a story.

What does a meme from 2019, the talented Gurdybird, a visceral retelling of the Robin Hood tales and Hopeless, Maine have connecting them?

Well.

Hopeless, Maine were putting together a video-event (which aired in Jan 2023 and is still available on Youtube) and were looking for content. Always eager to join their brand of tentacular madness – I mean, creativity – I said I’d contribute something. (Here’s The Hel-boar – https://youtu.be/9vYdDzlaops?si=6diVhkBMKYgxlz_a)

I was gearing up to spend 2023 writing three novels simultaneously (the Hurnungaz trilogy, a mere 250,000 words across all three) and had already started; the idea of taking a character or a scene from the first book and spinning it into a stand-alone tale seemed perfect …

The Hurnungaz trilogy and the spin-off short stories delve into an alternate, dark Pagan, visceral world where Robin is known as Hurnungaz and gods walk the ancient, terrifying forest. A character from the first of the trilogy is Elu of Keadby, daughter of a swan, who needs the help of one of Wōden’s Ravens and the mad stag-godling Caerne to retrieve her cloak … but that’s another story.

This story is about Brother Alberich, a brother of the Christ of the East, a new religion that is sweeping the country, who sees a little part of a ritual and wholly misconstrues what is happening and flees, fearing for his life. Remembering the news and memes about “30 to 50 wild hogs” which had terrorised an American homesteader, I thought a humorous twist would be to play on that and have Caerne unleash a horde of wild boar (hogs) to haunt his footsteps.

And then I looked up from my writing, and there it was (and still is) – a print of Gurdybird’s ‘Fiery Pig Lord’ which suited the piece perfectly. With her permission, that image now graces ‘The Hel-Boar of Kedby’.

You can find the book over here – https://www.amazon.co.uk/dp/B0DNXW28MR/ref=sr_1_21

To rd or not to rd, that is the conundrum

By Steven C Davis

Or so Duckhouse Eddie would have thought, were he given to thoughts.

You see, Duckhouse Eddie … but I get ahead of myself.

Allow me to introduce myself. I am Delia Spatchcock.

Yes, you heard me right.

Delia.

It’s an old family name; both my father and my grand-uncle (who was also my grand-aunt for a while) went by the name Delia.

But anyway.

Duckhouse Eddie was a lodger at – well, that doesn’t actually matter for this story.

He was strongly built, with a wide chest and a narrow waist; legs almost too narrow to support his bulk, but fortunately his head was quite light because it was mostly empty. It was said that when it rained – which, given it was mostly cloudy all the time, wasn’t actually that often – that he would feel it first.

But that wasn’t why he was called Duckhouse.

He was called Duckhouse because –

Well. I’m not sure we really need to go into that.

Anyway.

To rd. Yes. Well.

Oh, is that the time? I must be going. Maybe next time. You see, there are lots of interesting people in this cul-de-foggy-sack-built-buildings area. Thing. Whatever we call this place we make a home. I shall introduce you to some more of them later.

Ta-ta for now.

A visitor

(Story by Steven C Davis, shack by Nimue Brown)

The rap sounded through the hut. Not quite driftwood-constructed, but a rap like that hinted at an arm, a physique, that could break the door down without too much effort.

They rapped again.

Salt spray drenched the cabin, rendering the host blind to any other smell. Apart from the potential strength, he had no images, no feelings, about the visitor, other than the vaguest impression that a third strike might be heavier, might even cleave the door in two before he was ready.

‘Coming,’ he called out, ‘don’t mind me, old bones aren’t what they used to be.’

He took a clumping step, setting the rocking chair in motion.

Another clumping step, silently lifting an item from the old, moss-covered table.

‘Almost there, lad,’ he called out, though he doubted the visitor was a young lad.

He shuffled towards the door, trying not to grin. He could hear, now he was closer, the visitor’s breathing.

Angry.

Short.

Petulant.

He reached for the handle of the door, trying not to grin.

‘Open up –’

Benedictus Cucumberpatch opened up the door to the visitor, gently easing his finger tighter on the crossbow trigger.

The bolt pinged and there was a muffled, wet, thump.

Benedictus chortled. ‘Visitors, eh. Who’d ‘av ‘em.’

Written as a free-writing exercise as part of a short story workshop, run by Laura Jane Round on 14.05.2024.

Thorne the witch

(By Steven C Davis)

Thorne the witch
On the isle of Nevermore.
Nevermore the pain
Of Hopeless, Maine.

Thorne the witch
Forest child, run wild.
Forest bride, dead inside.
On Hopeless, Maine.

Thorne the witch
Ice-hearted bitch
Who wouldn’t love her man
A man chosen for her.
Destined to hang
On Hopeless, Maine.

Thorne the witch
Too inconvenient a child
Too deep her thoughts
Too loud her heart
On Hopeless, Maine.

Thorne the witch
Never would be free
So she turned into a tree
On Hopeless, Maine.

Thorne the witch
Whatever the weather
In fog or in mist.
She’ll never be missed
By those who betrayed her
In Hopeless, Maine.

Thorne the witch
Guards the fields now
Looking for those who did her wrong
And her limbs are as strong
As an ancient tree
On Hopeless, Maine.

Thorne the witch.
Wanted a home
But stands alone
In Hopeless, Maine.

(Text by Steven c Davis, image by Nimue Brown)

Tristania

(Story by Steven C Davis, image by Nimue Brown)

Little Tristania Moongloss thought she was a ghost.

Everywhere she went, whether it was those fog-shrouded streets she loved so well, or the fog-shrouded hillsides and even the fog-shrouded sea shores, no one ever saw her.

She would practice her dancing – particularly her pirouetting for she loved that – on every different kind of surface she could find. She was never shouted at for dancing on people’s roofs. Spoon-walkers skittered past her, even when she balanced a teaspoon on the end of her nose. She would stroke dogs, and caress the skinny rats that sometimes lived in stinky houses in Guttermore Lane, and they would all shift and whine and stare around as if they couldn’t see her.

Over time, little Tristania Moongloss did not grow up, though she grew colder and sadder. All she wanted was an audience, a friend, even a creature that would curl up beside her and give her warmth. She still performed, she still pirouetted and carried out her little dances, but they became fragmented, shorter, bitter; they left her feeling not so good as they once had.

At last, one day, little Tristania Moongloss lay down and died.

She rose the next day, truly, as a ghost.

People still paid her no heed, but now, at last, she could dance and pirouette upon the waves that battered the shore of Hopeless, Maine. She danced and pirouetted through the clouds, causing them to rain more, causing the fog and mist to fall heavier, to weave thicker.

She danced, and was happy, and the world ignored her for she was an orphan ghost.

)

The little drummer boy

Those you who know the tales told at The Squid and Teapot. will be aware of the legend of the little drummer boy. He’s often appeared as a harbinger of death, or perhaps trying to warn islanders away from dangers hidden in the fog. If you hear his drumming, then you should either follow him to safety, or haste away to safety. None of us know which choice is more likely to prove fatal as reports are awkwardly mixed.

If you hear drums at night, we can now report that you might not be hearing the little drummer boy at all. It might possibly be Steven, who is of perfectly average height and could not, even in a bad light, be mistaken for a child. He does however have a drum. According to Steven, he is using the drum to ‘stop them coming out of the trees.’ He has refused to elaborate on this statement.

The best advice this reporter can offer you is to stay away from the woods at night – which you were almost certainly doing anyway. There is a plentiful supply of eldritch horrors in the trees. Whether any of them are inclined to emerge, or are attracted or repelled by drumming has yet to be established.

With thanks to Steven C Davis

Carrot Green Man

Story by Steven C Davis, image by Nimue.

Daucus didn’t think he was cut out to be the Green Man. For one thing, he didn’t know what to do with all the charred and blackened bodies they’d burned for him.

Well. Burned – sort of. None of them were edible, he thought most were dead, but the pervading dampness of Hopeless, Maine made it difficult for anything to truly burn.

He was touched, he’d supposed, and blessed them – well, mumbled some words over those who’d burned the others, in fractured carota, a language no one else seemed to understand, but he seemed to know without having to try.

It wasn’t just the sacrifices, but what was he supposed to do with the offering? They were far larger – and gradually turning greener and soggier than him, and he didn’t have the strength or size to bury them.

He doubted the spoonwalkers would want anything to do with them, and the dust cats were more of a threat to him, psychotic little sneeze-inducing creatures that they were.

As for some of the other inhabitants – well. He was sure the pile was gradually diminishing, and not simply turning to liquid.

How am I actually supposed to bless the crops? And I don’t want to jump over any fire, that sounds like a good way – he shuddered. Daucus turned on his single leg. He’d had multiple trailing toes once, and if he stayed too long in one place – particularly the slowly decomposing pile of semi-burnt, mostly-soggy offering – they tended to regrow at a rapid attitude, always attempting to bury down in the death-deep soggy soil.

He jumped away slowly, his green leaves bobbling and trailing all over the place.

It was a hard life being a God and a carrot.




The Last Outie

By Steven C Davis

Fingletip Newtdrop was a man unlike any other. He lived in his island home of Hopeless, Maine, and he was an inventor. Even as an orphan he had an insatiable appetite for words, and this hunger for words was most looked down upon. He scavenged the sea shores and often found fragments of books and other oddities and from them he learned many words at too young an age. His favourites, before he fully knew what they meant, were perineum and moist. He liked the taste of ‘moist perineum’ in his voice, filling his throat, and this led him, once he learned what they meant, to a most singular pursuit.

There are some who, upon learning of his intent, kindly called him a doctor. Some called him a thoughtful and caring man. These people did not really know him. At best, some would call him an inventor. At worst, there are other words for him, which you are too young to learn about in this tale.

Fingletip was most interested in the act of birth. It was something that fascinated him and he should probably have been kept well away from, but midwifery was all but non-existent and he had some thoughts on the matter. He thought the current process – with the poor be-bedded ladies handling it themselves, was both unsanitary and could definitely be improved.

He spent many hours – days – years – in his workshop creating something to aid the process. It was a grand idea – of potential construction – with scythes and saws and blades and rotating things and all kind of things that had no place at such a delicate time. However, Fingletip’s reasoning was that a good fright would often aid the process along.

In such things, Fingletip felt he was on firm ground. He liked giving ladies a good fright – or even a bad fright. Gentlemen, not so much because they could always punch him out, but to frighten a lady – now that really appealed to him. It appealed to him rather too much – well, you know how after his life ended, how those tales of a certain nature stopped.

So he constructed this machine, like a steel octopus that rotated and whirred, but unfortunately, the materials available were far below what he required. A rotating liquid-metal screw, required to give the delicate area a massage, had to be replaced with a stringy, wet, frond. A cutting blade, meant to sever the cord between mother and child, was a glistening of damp bark, torn from a dying tree.

He could see the words, the materials, the ideas, gleaming in his mind, but unfortunately – or, very fortunately – he could not bring them to fruition. However, there were many poor ladies whose time escaped the few who could help, and thus, finally, Fingletip got the opportunity to test out his machine.

The hovel itself was rather damp, having but three walls, and tree branches and mud for a roof. The lady in question seemed to have overlong, sticky, legs, and be of a rather damp persuasion herself, but that was neither here nor there. He set his machine in operation – having to re-attach the wet frond several times first.

When she finally opened her eyes and saw him – and the machine – she did indeed let out a scream and a new life slithered out and raised its head and Fingletip lifted it up, praising his machine, noticing, and commenting, that the machine had caused the last outie – there would henceforth only be belly buttons that went inwards, thanks to his wondrous invention.

Unfortunately for Fingletip, and fortunately for every lady thereafter who has no recourse to a wise woman, witch or lady of the night, the newly born creature took affright at being lifted up, and tore his throat out.

His machine, however, re-purposed, was found to be quite good at salad tossing or, as the locals called it, “throwing grass and weeds into the air and hoping it came down a meal”.

Thus ends the tale of poor Mr Newtdrop, who we probably should have kept safely locked up.

Dry Gulch

Text by Steven C Davis, image by Nimue

Gulch pushed the black sombrero back from his forehead. The fog streamed down heavier than he’d seen before; maybe there was a sun out there, but he wasn’t sure. He’d been following the trail for so long …

There was something wrong with his nag as well, he was sure. Sure-footed over dry ground, over cliff edges and up mountain trails, but this new trail … he shook his head. He was used to the sun shining down, clear blue skies and the steady clop-clop of his nag’s hooves on stone, but lately …

Something was definitely off with the nag. It wasn’t going clop-clop anymore; it was more of a squelchy sound as its hooves hit the ground. And, last time he’d looked, it’d looked like there were tendrils growing from its hooves. Obviously it was just tangled underbrush, but even so …

He swayed in the saddle. It wasn’t raining but he was soaked. The fog parted here and there and he caught glimpses of a very un-desertlike vista. It was cool – no, decidedly cold actually, but the fog wasn’t making him feel soaked.

He frowned. The heat of the chaparral made being clean shaven preferable, but now a beard grew. A straggly beard, with little outriders waving in a breeze he didn’t feel. He took his hat off; frowned.

The black was seeping from it, revealing a turgid, muddy grey colour.

Gulch returned it to his head. Leaned forwards, slipping a hand into the saddlepack he’d slung in front of him. Drew out the bottle of whiskey. It was still half full, the delightful gold now a limp, depressed bronze colour, but still.

He shoved it back into the saddlepack.

So I’m not drunk, he thought. This might make more sense if I was.

He frowned.

Thoughts made their way slowly through the mind of Dry Gulch.

One thing he knew, the gulch was no longer dry.

His nag looked painfully thin – why, their legs were bone thin and white. He was sure the nag had been black once.

His hat had changed colour, like some varmint had sun-bleached it.

Not that there was any sun.

The trail he’d been following … he’d kept on following. Except now it was vaguely downhill and damp, not uphill and hot.

He drew the pistol from his holster. The metal felt sticky. A little bit warm. Wrong, just wrong, in some way. He shoved it back into the holster, noticing it was trickling, leaving tiny splashes of silver behind it.

He drew the duster coat around him. It looked more like a shroud.

‘I reckon not everything’s hopeless,’ he muttered. ‘There’s gotta be something to eat round here.’

Meeping Kazoos

Guest blog by Steven C Davis

No one knows quite how the first Meeping Kazoo came to Hopeless, Maine. Some say Lady Carriage Clock had a tame one – a rarity in itself, although little is known about Lady Carriage Clock, other than she was often pre-punctual for meetings. According to reports from that time, Lady Carriage Clock was not well liked and people would often try and avoid her – hence, she developed the habit of turning up to visit people before she met them to arrange the meeting.

But the Meeping Kazoo. Well now. Who has not heard a symphonicmare (the term for hearing a collection of Meeping Kazoos) and compared it unfavourably to the screeching of fingernails down a chalk board? It is a truly hideous thing to behold in the wild – and if you are lucky, such are its effects that you may be rendered deaf to all other sounds.

But in Hopeless, Maine, with its fog-enshrouded environs, the sounds of a herd (or some say, collateral) of Meeping Kazoo are somewhat muffled. Odd squawks are sometimes heard. A single finger, scratching at a chalk board. A random ting-ting-ting, but that may be the Meeping Kazoos attempts to lure a Spoonwalker out into the open.

They look rather like – well, perhaps that is not their best feature. The sounds they make are definitely not their best feature either, but they are the most striking aspect of them. Unless, of course, you happen to be a Spoonwalker who is caught out in the open –

They are a non-migratory species, which suggests there was some incident, possibly a tsunami caught some in the wild and delivered them to the island a long time ago. Breeding patterns and preferred habits are not known, and best not-guessed at. Frankly, even talking to you about a Meeping Kazoo is to invite the potential for a localised symphonicmare.

But one thing is known. No Meeping Kazoo ever hunts alone. Whether a collateral of them could tackle a human sized creature is unknown. But the best form of defence may be attack – since the physical aspects of the Meeping Kazoo are unknown, it may be that the range of Meeping Kazoo physical aspects is quite wide, and they may be identifiable more by sound than sight.

That being the case, if you think you are about to be attacked by a collateral, the best defence might be to sound like one.

This is David Atteneighbourhood, signing off, for Planet Maine. Hopeless, Maine.’